By the Water - Berthe Morisot
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Beschreibung
A delicate watercolour by Berthe Morisot, capturing a relaxed moment between two figures in a garden with fluid, light-filled brushwork.
Berthe Morisot, a central figure in the Impressionist circle, produced this work during a period of experimentation with light and medium. The scene depicts a man and a woman in a garden setting, captured with the spontaneity characteristic of her approach to watercolour. Morisot often favoured domestic or outdoor scenes, focusing on the interplay between figures and their immediate environment.
The composition relies on rapid, fluid brushwork. The woman, dressed in a detailed blue gown, sits in contrast to the man, who is positioned on the ground in lighter attire. Morisot uses the white of the paper to suggest the luminosity of the day, allowing the paint to bleed and blend in areas of foliage. This technique creates a sense of movement and atmosphere, rather than rigid definition. The palette is dominated by cool blues and greens, balanced by the neutral tones of the man's clothing and the warmth of the background greenery.
Unlike many of her contemporaries who focused on urban life, Morisot frequently turned her attention to the private sphere. This piece demonstrates her ability to convey a specific mood through light and colour. The figures appear relaxed, their interaction suggested by their proximity and the casual nature of their poses. The work reflects the Impressionist interest in capturing a fleeting moment, where the brushstrokes remain visible and the overall effect is one of immediacy. By avoiding heavy outlines, Morisot allows the forms to dissolve into the surrounding garden, creating a unified visual experience that prioritises the sensation of the scene over precise anatomical detail.
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Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
By the Water - Berthe Morisot
Artist Biography
Berthe Morisot
She was born in Bourges in 1841. Her parents built a studio in the family garden for Berthe and her sister Edma, who was equally talented. Edma abandoned painting when she married a naval officer in 1869. Berthe, having lost her collaborator, held on harder. She exhibited ten works at the first Impressionist exhibition in 1874, the only woman showing. She participated in every Impressionist show except 1879, the year her daughter Julie was born.
Edouard Manet painted her portrait repeatedly before she married his brother Eugene in 1874. She had sworn to stay single. Eugene gave up his own painting ambitions so she could pursue hers. Whatever the nature of her relationship with Edouard, it produced some of his finest portraits and left a subject that art historians have been circling for over a century.
She painted the domestic world of women with a directness that the male Impressionists could not access: mothers and daughters, women at their toilette, the garden, the drawing room. The brushwork is rapid and unfinished-looking, more so than Monet's. She died of pneumonia in 1895, aged fifty-four, caught while nursing her daughter through the same illness. She wrote to sixteen-year-old Julie the day before.
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