A refined 1636 portrait study in black and red chalk by Dutch Golden Age artist Salomon de Bray, depicting a young boy in profile.

This portrait study by Salomon de Bray, dated 1636, demonstrates the technical precision characteristic of the Dutch Golden Age. Executed in black and red chalk, the work captures a young boy in a strict profile view, a format that draws attention to the contours of the face and the subtle play of light across the features. De Bray, a painter, architect, and poet based in Haarlem, was known for his disciplined approach to portraiture and his ability to render human expression with economy.

The use of red chalk for the boy's cheek and the decorative beads provides a warm contrast to the cooler black chalk used for the hair and clothing. The oval framing, typical of the period, suggests this may have been a preparatory study for a larger painting or a finished work intended for a private collection. The boy wears a simple garment adorned with a string of beads, which adds a touch of texture to the composition. The artist's signature and date are clearly visible on the left side of the oval, confirming the provenance of this specific sheet.

De Bray's work reflects the broader interest in individual character studies that occupied many artists in the Netherlands during the seventeenth century. By focusing on the profile, he avoids the complexities of three-quarter views, allowing the viewer to observe the structure of the jawline, the shape of the nose, and the attentive gaze of the subject. The paper remains largely clean, providing a neutral background that keeps the focus entirely on the figure. This print offers a clear view of the artist's handling of chalk, showing how he layered strokes to create depth and volume without relying on heavy shading. It is a quiet, observant piece that captures a fleeting moment of childhood with clarity and restraint.