Baalbek. From the Fountain - David Roberts
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Beschreibung
A detailed lithograph by David Roberts depicting the Roman ruins of Baalbek, featuring figures near a fountain and the architectural remains of the site.
David Roberts, a Scottish painter, travelled extensively through the Near East between 1838 and 1839. This work, Baalbek. From the Fountain, originates from his sketches made during this expedition. It was later published as part of his extensive series, The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia, which brought the architectural wonders of the region to a wide European audience.
The composition captures the Roman ruins of Baalbek in modern-day Lebanon. Roberts employs a soft, atmospheric light to render the ancient stone structures against the horizon. In the foreground, figures are gathered near a fountain, providing a sense of scale and human presence amidst the remnants of antiquity. The inclusion of a peacock on the right adds a decorative element to the scene, while the fallen columns and masonry suggest the passage of time.
Roberts was known for his precise draughtsmanship and his ability to document architectural details with accuracy. His work reflects the nineteenth-century fascination with the history and geography of the Levant. The lithographic process, executed by Louis Haghe, translates Roberts' original watercolours into a series of tonal washes and fine lines. This print offers a view of the site as it appeared to travellers in the mid-nineteenth century, documenting both the physical state of the ruins and the contemporary life surrounding them. The print remains a record of the site before extensive modern restoration efforts.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Baalbek. From the Fountain - David Roberts
Artist Biography
David Roberts
In 1838 he sailed for Egypt and spent the next two years travelling through the Middle East, filling sketchbooks with drawings of temples, mosques, ruins and desert landscapes that almost no British artist had recorded before. To enter the mosques he had to shave off his sideburns, leave his hog-hair brushes behind (the pig being unclean), and wear traditional Arab clothing while he worked. He was one of the first Europeans allowed to paint inside a mosque.
The sketches became The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia, a series of 247 lithograph plates produced in collaboration with the printer Louis Haghe between 1842 and 1849. He funded the project through advance subscriptions, soliciting them personally. Queen Victoria was subscriber number one. Her complete set is still in the Royal Collection.
The lithographs gave Europeans their first detailed visual record of the ancient Near East. They were bought as art, used as reference by scholars, and shaped the Western imagination of Egypt and Palestine for the rest of the century.
His personal life was less composed. His wife Margaret became an alcoholic and in 1831 he sent her back to Scotland to be cared for by friends. He raised their daughter Christine largely alone. He was elected to the Royal Academy in 1841, a considerable achievement for a man who had started painting houses, and worked steadily until his death in 1864.
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