Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Allegorische zuil voor het Alliantiefeest op het Burgerplein te Amsterdam, 19 juni 1795 - Fine Art Print
Regulärer Preis
£28.00 GBP
Angebotspreis
£28.00 GBP
Regulärer Preis
Archival Pigmentdruck
Rahmen werden montagefertig geliefert
Sichere Kaufabwicklung
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Beschreibung
A detailed architectural study of an allegorical monument erected in Amsterdam for the 1795 Alliance Festival, capturing the political spirit of the Batavian Republic.
This print depicts the design for an allegorical column erected on the Burgerplein in Amsterdam to celebrate the Alliance Festival on 19 June 1795. The event followed the Batavian Revolution, which saw the end of the Dutch Republic and the establishment of the Batavian Republic. The structure is a classic example of late eighteenth-century political iconography, blending revolutionary fervour with traditional Dutch symbols.
The central column is topped by a flagpole bearing the tricolour, while the main body features an oval medallion. This medallion contains a painted scene of a figure amidst a stormy landscape, likely representing the Dutch nation or the concept of liberty overcoming adversity. The base of the monument is inscribed with virtues such as 'Nationale Deugd' (National Virtue), reflecting the Enlightenment ideals that permeated the political discourse of the time. Flanking the central column are additional plaques inscribed with 'Helden Moed' (Heroic Courage), 'Vaderlands Liefde' (Patriotic Love), and 'Standvas Tigheid' (Steadfastness).
The composition is formal and symmetrical, typical of architectural studies intended for public display. The use of watercolour adds a delicate quality to the etching, allowing for the clear distinction of the flags and the central medallion. The print serves as a record of the ephemeral architecture constructed for public festivals during the revolutionary period. These structures were intended to educate the public and reinforce the new political order through visual metaphor. The inclusion of a scale bar at the bottom indicates that this was a technical drawing, likely used by the builders to construct the actual monument on the square. The work captures a specific moment in Dutch history, where the visual language of the state was being redefined to align with the principles of the new republic.
Rückgaberecht
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Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Look vervollständigen
Allegorische zuil voor het Alliantiefeest op het Burgerplein te Amsterdam, 19 juni 1795 - Fine Art Print
Regulärer Preis
Ab £28.00 GBP
Angebotspreis
Ab £28.00 GBP
Regulärer Preis
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Unknown Artist
Anonymity in art often stems from the loss of historical records rather than a choice by the creator. In 19th-century Morocco, early photography was frequently practised by visiting practitioners or local studios whose names were not always recorded on the final prints. Works by an Unknown Artist in this collection include Moroccan studio portraits and Japanese woodblock prints depicting the Battle of Pyongyang. These pieces illustrate how anonymous artists documented global events and personal identities across different continents during the same era.
The artistic approach of the Unknown Artist varies between the formal composition of the carte-de-visite and the narrative style of the war prints. In the Moroccan portraits, the focus rests on the subject's posture and attire against a neutral studio backdrop. The Japanese prints use bold lines and flat colours to depict military movements and naval victories. Despite the lack of a specific attribution, these works demonstrate a high level of technical skill in both lithography and woodblock carving.
Modern collectors often value anonymous works for their mystery and focus on the image itself. These prints provide a direct connection to history without the distraction of a famous name. They function as windows into the 19th-century world, from the quiet dignity of a young girl in a studio to the chaos of a distant conflict. These pieces offer a sense of discovery for those who appreciate the aesthetic qualities of vintage photography and historical illustration.
The artistic approach of the Unknown Artist varies between the formal composition of the carte-de-visite and the narrative style of the war prints. In the Moroccan portraits, the focus rests on the subject's posture and attire against a neutral studio backdrop. The Japanese prints use bold lines and flat colours to depict military movements and naval victories. Despite the lack of a specific attribution, these works demonstrate a high level of technical skill in both lithography and woodblock carving.
Modern collectors often value anonymous works for their mystery and focus on the image itself. These prints provide a direct connection to history without the distraction of a famous name. They function as windows into the 19th-century world, from the quiet dignity of a young girl in a studio to the chaos of a distant conflict. These pieces offer a sense of discovery for those who appreciate the aesthetic qualities of vintage photography and historical illustration.
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Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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