Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Adolphus Kind und Teenager – William-Adolphe Bouguereau
Regulärer Preis
£28.00 GBP
Angebotspreis
£28.00 GBP
Regulärer Preis
Archival Pigmentdruck
Rahmen werden montagefertig geliefert
Sichere Kaufabwicklung
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Beschreibung
Eine zärtliche Szene mütterlicher Zuneigung von William-Adolphe Bouguereau, "Adolphus Child And Teen", zeigt eine junge Frau, die ein schlafendes Kind wiegt, dargestellt mit glatten Hauttönen und akribischer Detailgenauigkeit in einer heiteren, idyllischen Umgebung.
William-Adolphe Bouguereau (1825-1905) war ein französischer akademischer Maler, der für seine realistischen Genrebilder und mythologischen Themen gefeiert wurde. Seine Werke zeigen oft idealisierte Figuren, die mit außergewöhnlicher technischer Fertigkeit dargestellt sind. Bouguereaus Gemälde waren zu seinen Lebzeiten sehr populär, obwohl sein Ruf mit dem Aufkommen des Impressionismus und der modernen Kunst zurückging. In den letzten Jahrzehnten hat sein Werk eine Wiederbelebung der Wertschätzung erfahren. "Adolphus Child And Teen" ist ein Beispiel für Bouguereaus Talent, menschliche Themen mit Sensibilität und Anmut darzustellen. Das Gemälde zeigt eine junge Frau, die im Freien sitzt und zärtlich ein schlafendes Kind auf ihrem Schoß wiegt. Die Figuren sind mit glatten, porzellanartigen Hauttönen und akribischer Detailgenauigkeit dargestellt. Die weiche Beleuchtung und der grüne Hintergrund schaffen eine heitere und idyllische Atmosphäre. Der Blick der Frau ist sanft und liebevoll und vermittelt ein Gefühl mütterlicher Zuneigung. Der friedliche Schlaf des Kindes trägt zum allgemeinen Gefühl der Ruhe bei. Bouguereaus Meisterschaft in Komposition und Technik zeigt sich in der ausgewogenen Anordnung der Figuren und der realistischen Darstellung von Texturen und Formen. Das Gemälde ist ein schönes Beispiel seines akademischen Stils, der darauf abzielte, idealisierte Schönheit und emotionale Tiefe einzufangen.
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Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
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Adolphus Kind und Teenager – William-Adolphe Bouguereau
Regulärer Preis
Ab £28.00 GBP
Angebotspreis
Ab £28.00 GBP
Regulärer Preis
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
William Adolphe Bouguereau
Bouguereau financed his early art education by making hand-coloured lithographs for food product labels. He was born in 1825 in La Rochelle, into a family of wine and olive oil merchants. Sent to study for the priesthood at fourteen, he learned to draw from a teacher who had studied under Ingres.
At the height of his career he was arguably the most commercially successful painter alive. His large-scale nudes, classical mythological scenes, and religious paintings were technically flawless in a way that impressed collectors and enraged the avant-garde in equal measure. The Impressionists despised him as the embodiment of everything academic painting did wrong: slick, idealised, emotionally vacant. After his death in 1905, the avant-garde buried his reputation for nearly a century.
Three of his children died in infancy. Their mother Nelly died in 1877. His mother made him swear, after Nelly's death, never to remarry while she lived. He honoured the oath. His engagement to his student Elizabeth Jane Gardner lasted seventeen years. They married in 1896, after his mother died at ninety-one. Gardner was herself a notable painter, the first American woman to exhibit at the Paris Salon. His reputation has undergone a reappraisal since the late twentieth century.
At the height of his career he was arguably the most commercially successful painter alive. His large-scale nudes, classical mythological scenes, and religious paintings were technically flawless in a way that impressed collectors and enraged the avant-garde in equal measure. The Impressionists despised him as the embodiment of everything academic painting did wrong: slick, idealised, emotionally vacant. After his death in 1905, the avant-garde buried his reputation for nearly a century.
Three of his children died in infancy. Their mother Nelly died in 1877. His mother made him swear, after Nelly's death, never to remarry while she lived. He honoured the oath. His engagement to his student Elizabeth Jane Gardner lasted seventeen years. They married in 1896, after his mother died at ninety-one. Gardner was herself a notable painter, the first American woman to exhibit at the Paris Salon. His reputation has undergone a reappraisal since the late twentieth century.
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Besondere Eigenschaften
Jedes Solis-Stück wird auf Bestellung mit archivtauglichen Materialien in Galeriequalität gefertigt, die für eine lange Lebensdauer ausgelegt sind.
- Giclée-Druck in Museumsqualität für satte, lichtbeständige Farben
- Mattes Fine-Art-Papier in Archivqualität, FSC-zertifiziert
- Mehrere Größen und Rahmenoptionen verfügbar
- Rahmen in Schwarz, Naturholz, dunklem Holz oder Weiß
- Gerahmte Drucke werden fertig zum Aufhängen geliefert
Pflege & Reinigung
Damit Ihr Kunstwerk optimal aussieht:
- Vorsichtig mit einem weichen, trockenen Tuch abstauben
- Längere direkte Sonneneinstrahlung vermeiden
- Niemals flüssige Reiniger auf Druck- oder Leinwandoberflächen verwenden
- An einem trockenen Ort bei Raumtemperatur aufbewahren
- Drucke mit sauberen, trockenen Händen anfassen
Material & Größe
Museums-Giclée-Druck auf FSC-zertifiziertem, archivbeständigem, mattem Papier, wahlweise mit Rahmen oder als Leinwand.
- Papierformate: A4, A3, A2, A1, A0 und B2 (50×70 cm)
- Leinwand: XS (20×30 cm) bis Large (60×90 cm)
- Rahmen: Schwarz, Naturholz, dunkles Holz oder Weiß
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Biografie des Künstlers
William-Adolphe Bouguereau
Bouguereau financed his early art education by making hand-coloured lithographs for food product labels. He was born in 1825 in La Rochelle, into a family of wine and olive oil merchants. Sent to study for the priesthood at fourteen, he learned to draw from a teacher who had studied under Ingres.
At the height of his career he was arguably the most commercially successful painter alive. His large-scale nudes, classical mythological scenes, and religious paintings were technically flawless in a way that impressed collectors and enraged the avant-garde in equal measure. The Impressionists despised him as the embodiment of everything academic painting did wrong: slick, idealised, emotionally vacant. After his death in 1905, the avant-garde buried his reputation for nearly a century.
Three of his children died in infancy. Their mother Nelly died in 1877. His mother made him swear, after Nelly's death, never to remarry while she lived. He honoured the oath. His engagement to his student Elizabeth Jane Gardner lasted seventeen years. They married in 1896, after his mother died at ninety-one. Gardner was herself a notable painter, the first American woman to exhibit at the Paris Salon. His reputation has undergone a reappraisal since the late twentieth century.
At the height of his career he was arguably the most commercially successful painter alive. His large-scale nudes, classical mythological scenes, and religious paintings were technically flawless in a way that impressed collectors and enraged the avant-garde in equal measure. The Impressionists despised him as the embodiment of everything academic painting did wrong: slick, idealised, emotionally vacant. After his death in 1905, the avant-garde buried his reputation for nearly a century.
Three of his children died in infancy. Their mother Nelly died in 1877. His mother made him swear, after Nelly's death, never to remarry while she lived. He honoured the oath. His engagement to his student Elizabeth Jane Gardner lasted seventeen years. They married in 1896, after his mother died at ninety-one. Gardner was herself a notable painter, the first American woman to exhibit at the Paris Salon. His reputation has undergone a reappraisal since the late twentieth century.
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