Adolf Loos - Oskar Kokoschka
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Beschreibung
A psychological portrait of the architect Adolf Loos, painted by Oskar Kokoschka in 1909 using expressive, agitated brushwork.
Painted in 1909, this portrait of the architect Adolf Loos captures a defining moment in early twentieth-century Viennese modernism. Oskar Kokoschka, a young protégé of the Klimt circle, moved away from the decorative aesthetics of the Secession to develop a psychological approach to portraiture. In this work, the artist focuses on the sitter's inner state rather than mere physical likeness.
Kokoschka employs a nervous, agitated brushwork that defines the surface of the canvas. The figure of Loos emerges from a dark, atmospheric background, his posture hunched and his hands clasped tightly in his lap. The palette is dominated by sombre tones: deep browns, muted greys, and hints of pale blue. These colours suggest a sense of melancholy and intellectual intensity. The artist uses thin, scratchy lines to delineate the contours of the face and the folds of the clothing, creating a sense of fragility and tension.
Adolf Loos, known for his rejection of ornamentation in architecture, is presented here with a starkness that mirrors his own design philosophy. The portrait avoids the idealised finish common in academic painting of the period. Instead, Kokoschka prioritises the raw, emotive quality of the paint application. The sitter's gaze is directed away from the viewer, lost in thought, which adds to the sense of isolation. This painting remains a primary example of the Expressionist movement in Austria, demonstrating how the artist sought to reveal the psyche through the distortion of form and the application of colour. It is a study of a man whose ideas would eventually reshape the built environment of the twentieth century, captured by an artist who was similarly intent on breaking with tradition.
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Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Adolf Loos - Oskar Kokoschka
Artist Biography
Oskar Kokoschka
He was born in 1886 in Pochlarn, Austria. He was shot through the head in Ukraine and bayoneted in the chest in Russia. He survived both.
After the war, he commissioned a Munich dollmaker named Hermine Moos to create a life-size replica of Alma, sending detailed instructions about the feel of her skin and the weight of her body. Moos covered the figure in feathers instead. Kokoschka eventually staged a public execution: he decapitated the doll and smashed a bottle of wine over its head on his lawn. The police arrived the next morning, thinking he had murdered a woman.
The Nazis declared him a degenerate artist. He fled Czechoslovakia for London after the Munich Agreement and became a British citizen in 1947. His Expressionist portraits are among the most psychologically penetrating of the twentieth century: raw, agitated surfaces that seem to expose the sitter's interior state. He lived to ninety-four.
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