Fine Art Poster
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Adam und Eva - Michelangelo
Regulärer Preis
£37.00 GBP
Angebotspreis
£37.00 GBP
Regulärer Preis
Archival Pigmentdruck
Rahmen werden montagefertig geliefert
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Beschreibung
Michelangelos „Adam und Eva“ ist ein Fresko von der Decke der Sixtinischen Kapelle, das den Moment der Versuchung im Garten Eden darstellt. Das Werk zeigt die Meisterschaft des Künstlers in Anatomie und dramatischer Komposition.
Dieses Fresko von Michelangelo (1475-1564), einem italienischen Maler, Bildhauer und Architekten der Hochrenaissance, stellt die biblische Szene von Adam und Eva im Garten Eden dar. Es ist Teil der Deckendekoration der Sixtinischen Kapelle im Vatikan, die von Papst Julius II. in Auftrag gegeben wurde. Michelangelo malte die Decke zwischen 1508 und 1512. Das Fresko veranschaulicht den Moment, in dem Eva die verbotene Frucht von der Schlange annimmt, was zur Vertreibung von Adam und Eva aus dem Paradies führt. Die Komposition zeigt Adam und Eva auf beiden Seiten des Baumes der Erkenntnis. Eva, sitzend, greift nach der Frucht, die ihr von der Schlange angeboten wird, die mit einem menschlichen Oberkörper dargestellt ist. Adam steht in der Nähe, den Arm zum Baum ausgestreckt. Die Figuren sind muskulös und anatomisch detailliert, charakteristisch für Michelangelos Stil. Der Hintergrund ist eine vereinfachte Darstellung des Gartens Eden, mit einem hellblauen Himmel und spärlicher Vegetation. Die Szene ist in einer Palette gedämpfter Farben gehalten, wobei die Modellierung der Körper der Figuren durch Licht und Schatten betont wird.
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Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
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Adam und Eva - Michelangelo
Regulärer Preis
Ab £37.00 GBP
Angebotspreis
Ab £37.00 GBP
Regulärer Preis
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Michelangelo
Michelangelo had his nose broken as a teenager by a fellow student called Pietro Torrigiano. They were both copying frescoes in the Brancacci Chapel when Torrigiano, tired of Michelangelo's taunting, punched him in the face. The nose stayed crooked for the rest of his life. Torrigiano was proud of it.
He was apprenticed to Domenico Ghirlandaio at thirteen, the standard arrangement for a Florentine boy showing artistic ability. Ghirlandaio ran the largest workshop in the city and was a master of fresco technique. Michelangelo left after one year, claiming there was nothing more to learn. He moved to the sculpture garden of Lorenzo de' Medici, where he studied ancient Roman fragments and attracted the patronage of the Medici family. He was sixteen.
The Pieta was finished when he was twenty-four. David when he was twenty-nine. Both before the age of thirty. He carved David from a block of marble that two previous sculptors had already attempted and abandoned: a narrow, shallow piece that dictated the figure's proportions and made the engineering problem as interesting as the artistic one.
Pope Julius II commissioned the Sistine Chapel ceiling in 1508. Michelangelo did not want the job. He considered himself a sculptor, not a painter, and suspected the commission was a political manoeuvre by rivals to set him up for public failure. He fired his assistants, built his own scaffolding, and painted the entire 65-foot ceiling himself over four years. The image of him lying on his back is a myth; he stood, bending backwards, paint dripping into his eyes.
He outlived both Leonardo and Raphael by more than forty years. His last significant work was the redesign of St Peter's Basilica in Rome. He took no fee.
He was apprenticed to Domenico Ghirlandaio at thirteen, the standard arrangement for a Florentine boy showing artistic ability. Ghirlandaio ran the largest workshop in the city and was a master of fresco technique. Michelangelo left after one year, claiming there was nothing more to learn. He moved to the sculpture garden of Lorenzo de' Medici, where he studied ancient Roman fragments and attracted the patronage of the Medici family. He was sixteen.
The Pieta was finished when he was twenty-four. David when he was twenty-nine. Both before the age of thirty. He carved David from a block of marble that two previous sculptors had already attempted and abandoned: a narrow, shallow piece that dictated the figure's proportions and made the engineering problem as interesting as the artistic one.
Pope Julius II commissioned the Sistine Chapel ceiling in 1508. Michelangelo did not want the job. He considered himself a sculptor, not a painter, and suspected the commission was a political manoeuvre by rivals to set him up for public failure. He fired his assistants, built his own scaffolding, and painted the entire 65-foot ceiling himself over four years. The image of him lying on his back is a myth; he stood, bending backwards, paint dripping into his eyes.
He outlived both Leonardo and Raphael by more than forty years. His last significant work was the redesign of St Peter's Basilica in Rome. He took no fee.
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Jedes Solis-Stück wird auf Bestellung mit archivtauglichen Materialien in Galeriequalität gefertigt, die für eine lange Lebensdauer ausgelegt sind.
- Giclée-Druck in Museumsqualität für satte, lichtbeständige Farben
- Mattes Fine-Art-Papier in Archivqualität, FSC-zertifiziert
- Mehrere Größen und Rahmenoptionen verfügbar
- Rahmen in Schwarz, Naturholz, dunklem Holz oder Weiß
- Gerahmte Drucke werden fertig zum Aufhängen geliefert
Pflege & Reinigung
Damit Ihr Kunstwerk optimal aussieht:
- Vorsichtig mit einem weichen, trockenen Tuch abstauben
- Längere direkte Sonneneinstrahlung vermeiden
- Niemals flüssige Reiniger auf Druck- oder Leinwandoberflächen verwenden
- An einem trockenen Ort bei Raumtemperatur aufbewahren
- Drucke mit sauberen, trockenen Händen anfassen
Material & Größe
Museums-Giclée-Druck auf FSC-zertifiziertem, archivbeständigem, mattem Papier, wahlweise mit Rahmen oder als Leinwand.
- Papierformate: A4, A3, A2, A1, A0 und B2 (50×70 cm)
- Leinwand: XS (20×30 cm) bis Large (60×90 cm)
- Rahmen: Schwarz, Naturholz, dunkles Holz oder Weiß
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Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Biografie des Künstlers
Michelangelo
Michelangelo had his nose broken as a teenager by a fellow student called Pietro Torrigiano. They were both copying frescoes in the Brancacci Chapel when Torrigiano, tired of Michelangelo's taunting, punched him in the face. The nose stayed crooked for the rest of his life. Torrigiano was proud of it.
He was apprenticed to Domenico Ghirlandaio at thirteen, the standard arrangement for a Florentine boy showing artistic ability. Ghirlandaio ran the largest workshop in the city and was a master of fresco technique. Michelangelo left after one year, claiming there was nothing more to learn. He moved to the sculpture garden of Lorenzo de' Medici, where he studied ancient Roman fragments and attracted the patronage of the Medici family. He was sixteen.
The Pieta was finished when he was twenty-four. David when he was twenty-nine. Both before the age of thirty. He carved David from a block of marble that two previous sculptors had already attempted and abandoned: a narrow, shallow piece that dictated the figure's proportions and made the engineering problem as interesting as the artistic one.
Pope Julius II commissioned the Sistine Chapel ceiling in 1508. Michelangelo did not want the job. He considered himself a sculptor, not a painter, and suspected the commission was a political manoeuvre by rivals to set him up for public failure. He fired his assistants, built his own scaffolding, and painted the entire 65-foot ceiling himself over four years. The image of him lying on his back is a myth; he stood, bending backwards, paint dripping into his eyes.
He outlived both Leonardo and Raphael by more than forty years. His last significant work was the redesign of St Peter's Basilica in Rome. He took no fee.
He was apprenticed to Domenico Ghirlandaio at thirteen, the standard arrangement for a Florentine boy showing artistic ability. Ghirlandaio ran the largest workshop in the city and was a master of fresco technique. Michelangelo left after one year, claiming there was nothing more to learn. He moved to the sculpture garden of Lorenzo de' Medici, where he studied ancient Roman fragments and attracted the patronage of the Medici family. He was sixteen.
The Pieta was finished when he was twenty-four. David when he was twenty-nine. Both before the age of thirty. He carved David from a block of marble that two previous sculptors had already attempted and abandoned: a narrow, shallow piece that dictated the figure's proportions and made the engineering problem as interesting as the artistic one.
Pope Julius II commissioned the Sistine Chapel ceiling in 1508. Michelangelo did not want the job. He considered himself a sculptor, not a painter, and suspected the commission was a political manoeuvre by rivals to set him up for public failure. He fired his assistants, built his own scaffolding, and painted the entire 65-foot ceiling himself over four years. The image of him lying on his back is a myth; he stood, bending backwards, paint dripping into his eyes.
He outlived both Leonardo and Raphael by more than forty years. His last significant work was the redesign of St Peter's Basilica in Rome. He took no fee.
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