Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Eine Nacht in Saint Jean - Man Ray
Regulärer Preis
£28.00 GBP
Angebotspreis
£28.00 GBP
Regulärer Preis
Archival Pigmentdruck
Rahmen werden montagefertig geliefert
Sichere Kaufabwicklung
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Beschreibung
Dieses abstrakte Ölgemälde von Man Ray zeigt eine schematische Figur vor einem scharfen Hintergrund, unterteilt in Abschnitte, die mit mäandernden Linien gefüllt sind. Das Werk ruft ein Gefühl der Entfremdung und fragmentierten Identität hervor, charakteristisch für den Surrealismus.
Man Ray, geboren als Emmanuel Radnitzky in Philadelphia, war eine zentrale Figur sowohl in der Dada- als auch in der surrealistischen Bewegung. Er arbeitete mit einer Vielzahl von Medien, darunter Malerei, Fotografie und Film. Sein experimenteller Ansatz und seine Ablehnung traditioneller künstlerischer Konventionen machten ihn zu einem bedeutenden Einfluss auf die Kunst des 20. Jahrhunderts. Er verbrachte einen Großteil seiner Karriere in Paris. „A Night at Saint Jean“ zeigt eine vereinfachte, fast schematische Figur vor einem scharfen Hintergrund. Die in Umrissen dargestellte Figur ist in Abschnitte unterteilt, von denen jeder mit unterschiedlich farbigen, mäandernden Linien gefüllt ist. Der obere Torso weist rote Linien auf, der Mittelteil braune und die Beine grüne. Diese interne Kartierung kontrastiert mit der äußeren Form, die starr geometrisch ist. Der Hintergrund besteht aus einem dunklen Himmel über einem grauen, horizontal gestreiften Bereich, der möglicherweise Wasser oder Land darstellt. Eine dunkle dreieckige Form erhebt sich aus der unteren Mitte, rahmt die Figur ein und lenkt den Blick nach oben. Der Gesamteffekt ist beunruhigend und ruft ein Gefühl der Entfremdung und der fragmentierten Natur der Identität hervor.
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Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
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Eine Nacht in Saint Jean - Man Ray
Regulärer Preis
Ab £28.00 GBP
Angebotspreis
Ab £28.00 GBP
Regulärer Preis
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Man Ray
Man Ray was born Emmanuel Radnitzky in Philadelphia and changed his name because it sounded better. The name change set the tone. He spent his career crossing boundaries: between painting and photography, between Dada and Surrealism, between Paris and New York, between art and fashion.
He moved to Paris in 1921 and stayed for twenty years. He arrived knowing Marcel Duchamp, who had been his closest collaborator in New York. The two of them shared an instinct for provocation. Man Ray's contribution to Dada was the 'rayograph', made by placing objects directly on photographic paper and exposing them to light. No camera, no lens. The results look like X-rays of the unconscious: keys, springs, hands, fabrics, rendered as white silhouettes on black.
He became the portrait photographer of the Parisian avant-garde. Picasso, Hemingway, Gertrude Stein, Jean Cocteau, the Surrealists. The portraits are sharp, well-lit, and respectful, which is not what you would expect from a Dadaist. He also worked in fashion photography for Vogue and Harper's Bazaar, which paid the bills and gave him access to models and studios.
The most famous image is Le Violon d'Ingres (1924): a photograph of Kiki de Montparnasse's back with f-holes painted on it, turning a woman into a cello. It is witty, elegant, and uncomfortable in exactly the way Surrealism intended. He claimed to value his paintings more than his photographs. The world disagreed, and he never entirely forgave it.
He returned to Paris after the war and stayed until his death in 1976, at eighty-six.
He moved to Paris in 1921 and stayed for twenty years. He arrived knowing Marcel Duchamp, who had been his closest collaborator in New York. The two of them shared an instinct for provocation. Man Ray's contribution to Dada was the 'rayograph', made by placing objects directly on photographic paper and exposing them to light. No camera, no lens. The results look like X-rays of the unconscious: keys, springs, hands, fabrics, rendered as white silhouettes on black.
He became the portrait photographer of the Parisian avant-garde. Picasso, Hemingway, Gertrude Stein, Jean Cocteau, the Surrealists. The portraits are sharp, well-lit, and respectful, which is not what you would expect from a Dadaist. He also worked in fashion photography for Vogue and Harper's Bazaar, which paid the bills and gave him access to models and studios.
The most famous image is Le Violon d'Ingres (1924): a photograph of Kiki de Montparnasse's back with f-holes painted on it, turning a woman into a cello. It is witty, elegant, and uncomfortable in exactly the way Surrealism intended. He claimed to value his paintings more than his photographs. The world disagreed, and he never entirely forgave it.
He returned to Paris after the war and stayed until his death in 1976, at eighty-six.
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Entwickelt für nachhaltige Wirkung
Besondere Eigenschaften
Jedes Solis-Stück wird auf Bestellung mit archivtauglichen Materialien in Galeriequalität gefertigt, die für eine lange Lebensdauer ausgelegt sind.
- Giclée-Druck in Museumsqualität für satte, lichtbeständige Farben
- Mattes Fine-Art-Papier in Archivqualität, FSC-zertifiziert
- Mehrere Größen und Rahmenoptionen verfügbar
- Rahmen in Schwarz, Naturholz, dunklem Holz oder Weiß
- Gerahmte Drucke werden fertig zum Aufhängen geliefert
Pflege & Reinigung
Damit Ihr Kunstwerk optimal aussieht:
- Vorsichtig mit einem weichen, trockenen Tuch abstauben
- Längere direkte Sonneneinstrahlung vermeiden
- Niemals flüssige Reiniger auf Druck- oder Leinwandoberflächen verwenden
- An einem trockenen Ort bei Raumtemperatur aufbewahren
- Drucke mit sauberen, trockenen Händen anfassen
Material & Größe
Museums-Giclée-Druck auf FSC-zertifiziertem, archivbeständigem, mattem Papier, wahlweise mit Rahmen oder als Leinwand.
- Papierformate: A4, A3, A2, A1, A0 und B2 (50×70 cm)
- Leinwand: XS (20×30 cm) bis Large (60×90 cm)
- Rahmen: Schwarz, Naturholz, dunkles Holz oder Weiß
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Biografie des Künstlers
Man Ray
Man Ray was born Emmanuel Radnitzky in Philadelphia and changed his name because it sounded better. The name change set the tone. He spent his career crossing boundaries: between painting and photography, between Dada and Surrealism, between Paris and New York, between art and fashion.
He moved to Paris in 1921 and stayed for twenty years. He arrived knowing Marcel Duchamp, who had been his closest collaborator in New York. The two of them shared an instinct for provocation. Man Ray's contribution to Dada was the 'rayograph', made by placing objects directly on photographic paper and exposing them to light. No camera, no lens. The results look like X-rays of the unconscious: keys, springs, hands, fabrics, rendered as white silhouettes on black.
He became the portrait photographer of the Parisian avant-garde. Picasso, Hemingway, Gertrude Stein, Jean Cocteau, the Surrealists. The portraits are sharp, well-lit, and respectful, which is not what you would expect from a Dadaist. He also worked in fashion photography for Vogue and Harper's Bazaar, which paid the bills and gave him access to models and studios.
The most famous image is Le Violon d'Ingres (1924): a photograph of Kiki de Montparnasse's back with f-holes painted on it, turning a woman into a cello. It is witty, elegant, and uncomfortable in exactly the way Surrealism intended. He claimed to value his paintings more than his photographs. The world disagreed, and he never entirely forgave it.
He returned to Paris after the war and stayed until his death in 1976, at eighty-six.
He moved to Paris in 1921 and stayed for twenty years. He arrived knowing Marcel Duchamp, who had been his closest collaborator in New York. The two of them shared an instinct for provocation. Man Ray's contribution to Dada was the 'rayograph', made by placing objects directly on photographic paper and exposing them to light. No camera, no lens. The results look like X-rays of the unconscious: keys, springs, hands, fabrics, rendered as white silhouettes on black.
He became the portrait photographer of the Parisian avant-garde. Picasso, Hemingway, Gertrude Stein, Jean Cocteau, the Surrealists. The portraits are sharp, well-lit, and respectful, which is not what you would expect from a Dadaist. He also worked in fashion photography for Vogue and Harper's Bazaar, which paid the bills and gave him access to models and studios.
The most famous image is Le Violon d'Ingres (1924): a photograph of Kiki de Montparnasse's back with f-holes painted on it, turning a woman into a cello. It is witty, elegant, and uncomfortable in exactly the way Surrealism intended. He claimed to value his paintings more than his photographs. The world disagreed, and he never entirely forgave it.
He returned to Paris after the war and stayed until his death in 1976, at eighty-six.
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