A Javan Rhododendron and Ipomoea - Marianne North
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Beschreibung
A detailed botanical study by Marianne North, capturing the contrast between orange Javan Rhododendrons and white Ipomoea blooms.
Marianne North was a prolific Victorian traveller and painter who documented global flora with scientific precision. This work depicts a Javan Rhododendron alongside the white blooms of an Ipomoea, a genus commonly known as morning glory. North travelled extensively between 1871 and 1886, often painting in situ to capture the specific environmental conditions of the plants she encountered. Her approach differed from many contemporaries, as she focused on the plant within its natural habitat rather than isolating specimens against a plain background.
The composition balances the warm, orange tones of the rhododendron clusters against the cool, stark white of the Ipomoea flowers. North utilised oil paint on board, a medium that allowed her to work quickly while travelling in humid climates. Her technique is characterised by clear, defined outlines and a focus on the structural integrity of the leaves and petals. The background hints at a mountainous terrain, providing context for the altitude at which these species thrive.
North donated her collection of over 800 paintings to the Royal Botanic Gardens, Kew, where they remain housed in a gallery she commissioned. Her work provides a visual record of botanical diversity during the late nineteenth century. This print captures the clarity of her original brushwork, maintaining the balance between scientific observation and aesthetic arrangement. The painting serves as a record of her time in Java, reflecting the specific light and colour palette of the region. By documenting these species in their native environment, North contributed to the botanical knowledge of the period while creating a distinct body of work that remains accessible to modern viewers.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
A Javan Rhododendron and Ipomoea - Marianne North
Artist Biography
Marianne North
She was born in 1830 into a wealthy Norfolk family. Her father was an MP. She trained as a singer, but her voice failed and she turned to painting. She was devoted to her father and travelled with him until his death in 1869, which freed her to go further.
She painted plants in oils, not watercolours, and she painted them in situ within their habitats, including animals, people, and temples. In Borneo she painted a pitcher plant unknown to science, which was named Nepenthes northiana in her honour. Charles Darwin personally suggested she visit Australia. She completed 848 paintings in thirteen years, donated 832 to Kew Gardens, and paid for the gallery to house them herself. The Marianne North Gallery at Kew remains the only permanent solo exhibition in a major UK institution. She died in 1890.
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