A Foxhound, Ringwood - George Stubbs
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Beschreibung
A precise oil portrait of a foxhound by the renowned British animal painter George Stubbs, dating to 1792.
George Stubbs, a painter celebrated for his anatomical precision and dedication to animal subjects, produced this portrait of the foxhound Ringwood in 1792. Stubbs spent much of his career observing the physical structure of animals, a practice informed by his extensive work on The Anatomy of the Horse. This background allowed him to capture the musculature and stance of the hound with scientific accuracy.
The composition presents the dog in profile, a common convention in eighteenth-century sporting art. The hound stands against a darkened, atmospheric background, which directs the viewer's attention to the animal's coat and form. Stubbs employs a restrained palette, using earthy tones to ground the subject within a natural setting. The foliage to the right provides a subtle contrast to the smooth texture of the dog's fur, while the lighting remains focused on the hound's alert posture.
Unlike many of his contemporaries who focused on the drama of the hunt, Stubbs treats the animal as an individual subject. The painting reflects the period's interest in the classification and documentation of specific breeds. The hound is depicted with a sense of quiet dignity, avoiding the sentimentality often found in later animal art. The work remains a clear example of the artist's ability to balance technical observation with a composed, formal aesthetic. It is a study of form and character, typical of the artist's late career output where he moved toward more singular, focused animal portraits.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
A Foxhound, Ringwood - George Stubbs
Artist Biography
George Stubbs
He was born in Liverpool, the son of a currier (a leather worker). He was largely self-taught. In his twenties he spent eighteen months in a farmhouse in Horkstow, Lincolnshire, dissecting horses. He suspended the carcasses from the ceiling using hooks and pulleys, peeled back the layers of skin and muscle, and drew every stage. The results were published as The Anatomy of the Horse (1766), one of the most accurate anatomical studies ever produced by an artist. The book established his reputation.
His horse portraits are commissioned works: wealthy landowners wanted their racehorses painted. Stubbs obliged, but his understanding of equine anatomy gave the paintings a presence that other sporting painters could not match. Whistlejacket, a life-size portrait of a chestnut stallion rearing against a plain background, is among the most striking animal paintings ever made. There is no landscape, no rider, no context. Just the horse.
He also painted dogs, exotic animals (a zebra, a rhinoceros, a moose), and rural scenes with labourers and haymakers. He experimented with enamel painting on ceramic tablets made by Josiah Wedgwood. He was elected to the Royal Academy but refused to submit a diploma piece, which meant he was never made a full Academician. He died in 1806, at eighty-one.
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