A Bornean Crinum - Marianne North
Archival Pigmentdruck
Rahmen werden montagefertig geliefert
Sichere Kaufabwicklung
Auf Bestellung gefertigt
Beschreibung
A detailed botanical study of a white Crinum lily in its natural Bornean habitat, painted by the Victorian explorer and artist Marianne North.
Marianne North was a prolific Victorian traveller and painter who documented flora across the globe. This work depicts a Crinum lily, a genus of perennial plants in the Amaryllidaceae family, observed during her time in Borneo. North travelled extensively between 1871 and 1885, often working in oil on paper or canvas to capture specimens in their natural habitats rather than from dried herbarium samples.
The composition places the large, white, spider-like blossoms in the immediate foreground. The petals curve outwards with precision, showing the artist's focus on accurate botanical form. Behind the central flower, North provides a glimpse of the Bornean environment: a stream, lush greenery, and a distant palm tree. This approach was characteristic of her work, as she aimed to record the plant within its ecological context. Her technique is direct and observational, prioritising the clear representation of the specimen over stylistic artifice.
North donated her collection of over 800 paintings to the Royal Botanic Gardens, Kew, where they remain housed in a purpose-built gallery. Her work provides a record of plant species as they appeared in the late nineteenth century, often before significant habitat loss occurred. This print captures the clarity of her original oil painting, preserving the specific structure of the Crinum and the atmosphere of the tropical setting she visited. It is a piece of historical documentation as much as an aesthetic object, reflecting the scientific curiosity that defined her career.
Rückgaberecht
Da jeder Druck auf Bestellung gefertigt wird, bieten wir keine Rücksendungen, Rückerstattungen oder Umtausche aufgrund von Meinungsänderungen an. Sollte Ihre Bestellung fehlerhaft, beschädigt oder falsch ankommen, ersetzen wir sie kostenlos – kontaktieren Sie uns einfach innerhalb von 48 Stunden nach Lieferung. Vollständige Details finden Sie auf unserer Rückerstattungsseite.
Versand
Wir versenden weltweit und drucken im Produktionszentrum in der Nähe Ihrer Lieferadresse. Lieferzeiten und -kosten variieren je nach Zielort – die Ihnen zur Verfügung stehenden Optionen werden Ihnen an der Kasse angezeigt.
Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
A Bornean Crinum - Marianne North
Artist Biography
Marianne North
She was born in 1830 into a wealthy Norfolk family. Her father was an MP. She trained as a singer, but her voice failed and she turned to painting. She was devoted to her father and travelled with him until his death in 1869, which freed her to go further.
She painted plants in oils, not watercolours, and she painted them in situ within their habitats, including animals, people, and temples. In Borneo she painted a pitcher plant unknown to science, which was named Nepenthes northiana in her honour. Charles Darwin personally suggested she visit Australia. She completed 848 paintings in thirteen years, donated 832 to Kew Gardens, and paid for the gallery to house them herself. The Marianne North Gallery at Kew remains the only permanent solo exhibition in a major UK institution. She died in 1890.
Warum uns wählen?
Garantie für beschädigungsfreie Lieferung
Schneller Versand
Museumsreife Materialien
Das könnte Ihnen auch gefallen

