Her work focuses on the atmospheric qualities of the Dutch countryside. She often painted outdoors to capture the shifting effects of light on foliage and bark. Works such as Lane of Oaks in Late Summer demonstrate her technical interest in the structure of trees. Unlike many of her contemporaries who preferred grey, misty tones, she utilised a broader palette of greens and earthy browns. Her approach to Dutch Impressionism involved a careful study of natural forms under different seasonal conditions, as seen in Wandelaar in de sneeuw bij de rand van een bos.

Modern collectors value her work for its quiet, observational quality. Her paintings provide a sense of stillness that fits well in contemporary living spaces. The natural subjects, such as those in Landschap met zonsondergang, offer a connection to the outdoors without the sentimentality found in earlier Romantic art. Her focus on specific botanical details and the play of light makes these prints suitable for rooms that require a calm, organic aesthetic.