His approach to Figurative Expressionism is visible in the Street Scene Series and Three Bowery Figures. He used repetitive forms to suggest the constant motion of New York City. In Single Head and Five Heads, the features are blunt and heavy, often rendered in a limited colour palette. He treated the human face like a topography of texture and shadow, favouring a visceral connection over literal likeness. His work avoids the sentimentality often found in portraiture.

Collectors appreciate these works for their raw honesty and graphic power. The Milford Still Life and Silver Beach prints provide a different perspective on his heavy style. In the Vincent Series #4 and Head in Red, he explores the boundaries between the person and the background, making the human form recognisable yet abstract. These pieces bring a sense of history and physical presence to a room. They are well-suited for spaces that require art with a strong character.