The artist used a disciplined approach to symmetry and neoclassical ornamentation. His sheet containing sixteen different cartouches demonstrates his ability to create varied decorative frames within a small space. These designs were intended for practical use by printers and engravers. In his portrait of Henrik Antoni Tollé, he applied this same precision to human likeness. He maintained a clear, linear style that avoided the excess of the earlier Rococo period.

Modern collectors value these prints for their clean lines and historical utility. The small-scale vignettes and formal designs provide a sense of order and classical balance. These works function well in contemporary interiors that favour minimalist or academic aesthetics. Because they were originally meant for reproduction, the prints retain a crisp quality that translates well to modern paper.