His artistic method involved a careful study of classical mythology and the human form. He is most recognised for his depictions of putti and bacchic revels. These scenes are populated by groups of small, energetic figures that fill the frame. He avoided heavy shadows, preferring a light touch that allowed the details of the anatomy to remain visible. His work bridges the gap between the technical precision of Northern European printmaking and the fluid grace of Italian design.

These prints appeal to modern collectors who appreciate the clarity of seventeenth-century line work. The subjects are often light-hearted, featuring putti and mythological deities in balanced arrangements. Because he worked primarily in monochrome etching, these prints suit a variety of interior styles. They offer a sense of historical continuity without the visual weight of large oil paintings.