Vincent was a leader of the Neoclassical movement, yet his output remained remarkably varied. He produced large-scale historical compositions like "The Arts Inviting Apelles to Retake His Brushes" while simultaneously creating sharp, observational caricatures. His "Caricature of the Painter Anicet Charles Gabriel Lemonnier" shows a witty, informal side that contrasts with his academic training. He used red chalk and brown washes to define form with precision. His drawings often possess a quiet, observational quality, seen in his studies of seated figures and domestic poses.

Modern collectors value Vincent for the clarity and technical mastery of his line. His works provide a sophisticated alternative to better-known Neoclassical artists, offering a balance of academic rigor and spontaneous observation. The "Portrait of a Seated Woman" and his various figure studies suit contemporary interiors that favour neutral tones and classical draughtsmanship. His art represents a moment of transition in French culture, capturing both the formality of the Academy and the personality of his subjects.