His work often features playful figures and classical motifs. He frequently included naked children or putti that appear to fly and twine through the air. In pieces like the Adoration of the Magi, he combined traditional religious subjects with his own technical preferences for chiaroscuro. His background in metalwork influenced his engraving style, leading to a specific use of line and form. He also incorporated unusual symbols, such as triangular pyramids resting on spheres, to create a distinct visual language.

Modern collectors value these prints for their directness and historical character. The compositions offer a window into the Florentine Renaissance without the heavy religious weight of larger altarpieces. His allegories, such as the Allegory of the Power of Love, provide a balance of myth and human emotion. These prints suit contemporary homes because they possess a clear, graphic quality that works well in smaller frames.