His training under Jean-Baptiste Pigalle provided him with a strong technical foundation. He balanced the lightness of the late Rococo with the structural clarity of Neoclassicism. His work is defined by anatomical accuracy and a sense of controlled movement. He often produced terracotta models that captured the initial energy of a composition. These small-scale works show a level of spontaneity that is sometimes lost in the final stone versions.

Modern collectors appreciate his work for its historical transition. His drawings and sculptures represent a shift toward the Enlightenment values of reason and order. The clean lines and classical themes fit well in contemporary rooms that favour minimalist or traditional aesthetics. His prints offer a way to bring the atmosphere of an eighteenth-century royal court into a private home.