Sammlung
Utagawa Toyokuni I
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Frau und Kind an einem Wasserbecken – Utagawa Toyokuni IPrint · Framed · Canvas
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Neujahrstage des Teehauses Ogi-ya - Utagawa Toyokuni I.Print · Framed · Canvas
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Am Ufer von Yènoshim - Utagawa ToyokuniPrint · Framed · Canvas
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Kurtisane auf der Treppe – Utagawa Toyokuni IPrint · Framed · Canvas
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Der Schauspieler Ichikawa Yaozo III. in der Rolle des Fuwa Banzaemon - Utagawa Toyokuni IPrint
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Die Kurtisane Takigawa des Ōgiya Bordells - Utagawa Toyokuni IPrint
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Der Schauspieler Ōtani Tomoemon in der Rolle des Ono Sadakurō – Utagawa Toyokuni IPrint
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Der Schauspieler Onoe Matsusuke in der Rolle der Dame Iwafuji – Utagawa Toyokuni IPrint
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Der Schauspieler Kataoka Nizaemon in zeremoniellen Gewändern in Grün und Rosa, sein Schwert ziehend – Utagawa Toyokuni IPrint
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Der Schauspieler Ichikawa Yaozo III. in der Rolle des Fuwa Banzaemon - Utagawa Toyokuni IPrint
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Die vier Jahreszeiten im südlichen Edo: Eine Sommerszene – Utagawa Toyokuni IPrint
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Die Kurtisane Takigawa des Ōgiya Bordells - Utagawa Toyokuni IPrint
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Der Schauspieler Ōtani Tomoemon in der Rolle des Ono Sadakurō – Utagawa Toyokuni IPrint
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Muschelsammlerinnen - Utagawa Toyokuni IPrint
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Der Schauspieler Arashi Ryuzo II als der Geldverleiher Ishibe Kinkichi – Utagawa Toyokuni IPrint
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Kurtisanenpromenade auf dem Nakanochō in Yoshiwara – Utagawa Toyokuni IPrint
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Frauen und ein kleiner Junge in einem öffentlichen Badehaus - Utagawa Toyokuni IPrint
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Kabuki-Schauspieler Segawa Kikunojō III. in einer verrückten Frauenrolle - Utagawa Toyokuni I.Print
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Kabuki-Darsteller: Bandō Mitsugorō und Iwai Hanshirō – Utagawa Toyokuni IPrint
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Ichikawa Komazō II als Akaneya Hanshichi - Utagawa Toyokuni IPrint
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Berühmte Schönheit, eskortiert von Frauen unterschiedlichen Ranges - Utagawa Toyokuni IPrint
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Vier Frauen gehen an einer Baumgruppe vorbei - Utagawa Toyokuni IPrint
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Der erste Besuch des Kuckucks – Utagawa Toyokuni IPrint
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Onoe Matsusuke als Geist der ermordeten Frau Oiwa, in _Eine Geschichte des Schreckens von der Yotsuya-Station an der Tokaido-Straße_ - Utagawa Toyokuni IPrint
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Artist Biography
Utagawa Toyokuni I
"My pictures are merely something that I draw, and nothing more than that." Toyokuni's self-assessment was modest to the point of dishonesty. He transformed kabuki actor portraiture from stiff formal likenesses into dynamic images of performers in character on stage, and in doing so built the most commercially powerful woodblock print studio in Edo.
He was born in 1769, the son of a puppet maker. He studied under Utagawa Toyoharu, founder of the Utagawa school, and followed convention by taking one syllable of his master's name. His early work synthesised the styles of Utamaro, Eishi and Choki through close study and relentless practice. By the mid-1790s he had found his own voice. Yakusha Butai no Sugatae (Portraits of Actors in Their Various Roles), a series of large polychrome prints produced between 1794 and 1796, showed kabuki actors costumed and posed on stage rather than seated in formal dress. The series was a commercial triumph and set the standard for actor portraiture for the next generation.
He also excelled at bijin-ga, pictures of beautiful women, establishing compositions that ukiyo-e artists followed for decades. His innovations extended to format: he pioneered the use of diptych, triptych and polyptych arrangements that allowed more complex narrative compositions than the single sheet could hold.
As demand surged, Toyokuni's studio expanded until his personal involvement in each print became nominal. The quality of his later work declined, but the school he built survived him. His two most gifted pupils, Kunisada and Kuniyoshi, became major figures in their own right, and the Utagawa school dominated ukiyo-e production through the final decades of the Edo period. He died in 1825.
He was born in 1769, the son of a puppet maker. He studied under Utagawa Toyoharu, founder of the Utagawa school, and followed convention by taking one syllable of his master's name. His early work synthesised the styles of Utamaro, Eishi and Choki through close study and relentless practice. By the mid-1790s he had found his own voice. Yakusha Butai no Sugatae (Portraits of Actors in Their Various Roles), a series of large polychrome prints produced between 1794 and 1796, showed kabuki actors costumed and posed on stage rather than seated in formal dress. The series was a commercial triumph and set the standard for actor portraiture for the next generation.
He also excelled at bijin-ga, pictures of beautiful women, establishing compositions that ukiyo-e artists followed for decades. His innovations extended to format: he pioneered the use of diptych, triptych and polyptych arrangements that allowed more complex narrative compositions than the single sheet could hold.
As demand surged, Toyokuni's studio expanded until his personal involvement in each print became nominal. The quality of his later work declined, but the school he built survived him. His two most gifted pupils, Kunisada and Kuniyoshi, became major figures in their own right, and the Utagawa school dominated ukiyo-e production through the final decades of the Edo period. He died in 1825.
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