Sammlung
Michelangelo
Entdecken Sie kuratierte Kunstdrucke, ausgewählt für individuelle Wohnräume und durchdachte Interieurs.
Vorgeschlagene Filter
-
Die Vorfahren Christi: Jesse – Michelangelo BuonarrotiPrint
Regulärer Preis Ab £28.00 GBPAngebotspreis Ab £28.00 GBP Regulärer Preis -
The Erythraean Sibyl - Michelangelo BuonarrotiPrint
Regulärer Preis Ab £28.00 GBPAngebotspreis Ab £28.00 GBP Regulärer Preis -
Leda and the Swan - Michelangelo BuonarrotiPrint · Framed
Regulärer Preis Ab £28.00 GBPAngebotspreis Ab £28.00 GBP Regulärer Preis -
The Dream of Human Life - Michelangelo BuonarrotiPrint · Framed
Regulärer Preis Ab £28.00 GBPAngebotspreis Ab £28.00 GBP Regulärer Preis -
The Torment of Saint Anthony - Michelangelo BuonarrotiPrint · Framed
Regulärer Preis Ab £28.00 GBPAngebotspreis Ab £28.00 GBP Regulärer Preis -
The Punishment of Tityus - Michelangelo BuonarrotiPrint · Framed
Regulärer Preis Ab £28.00 GBPAngebotspreis Ab £28.00 GBP Regulärer Preis -
The Martyrdom of Saint Peter - Michelangelo BuonarrotiPrint
Regulärer Preis Ab £37.00 GBPAngebotspreis Ab £37.00 GBP Regulärer Preis -
The Entombment - Michelangelo BuonarrotiPrint
Regulärer Preis Ab £28.00 GBPAngebotspreis Ab £28.00 GBP Regulärer Preis -
Ignudo (Sistine Chapel Ceiling) - Michelangelo BuonarrotiPrint
Regulärer Preis Ab £28.00 GBPAngebotspreis Ab £28.00 GBP Regulärer Preis -
Madonna, Child and St. John the Baptist - Michelangelo BuonarrotiPrint
Regulärer Preis Ab £28.00 GBPAngebotspreis Ab £28.00 GBP Regulärer Preis -
The Last Judgement - Michelangelo BuonarrotiPrint
Regulärer Preis Ab £28.00 GBPAngebotspreis Ab £28.00 GBP Regulärer Preis -
The Prophet Daniel - Michelangelo BuonarrotiPrint
Regulärer Preis Ab £37.00 GBPAngebotspreis Ab £37.00 GBP Regulärer Preis -
The Sacrifice of Noah - Michelangelo BuonarrotiPrint
Regulärer Preis Ab £28.00 GBPAngebotspreis Ab £28.00 GBP Regulärer Preis -
The Creation of Adam - MichelangeloPrint · Framed · Canvas
Regulärer Preis Ab £28.00 GBPAngebotspreis Ab £28.00 GBP Regulärer Preis -
Judith trägt das Haupt des Holofernes - Michelangelo BuonarrotiPrint
Regulärer Preis Ab £28.00 GBPAngebotspreis Ab £28.00 GBP Regulärer Preis -
Die Vorfahren Christi: Manasse, Amon – Michelangelo BuonarrotiPrint
Regulärer Preis Ab £28.00 GBPAngebotspreis Ab £28.00 GBP Regulärer Preis -
Die Vorfahren Christi: Nachschon - Michelangelo BuonarrotiPrint
Regulärer Preis Ab £28.00 GBPAngebotspreis Ab £28.00 GBP Regulärer Preis -
Die Delphische Sibylle - Michelangelo BuonarrotiPrint
Regulärer Preis Ab £28.00 GBPAngebotspreis Ab £28.00 GBP Regulärer Preis -
Die Vorfahren Christi: Aminadab – Michelangelo BuonarrotiPrint
Regulärer Preis Ab £28.00 GBPAngebotspreis Ab £28.00 GBP Regulärer Preis -
Der Prophet Jesaja - Michelangelo BuonarrotiPrint
Regulärer Preis Ab £37.00 GBPAngebotspreis Ab £37.00 GBP Regulärer Preis -
Die Vorfahren Christi: Hiskia – Michelangelo BuonarrotiPrint
Regulärer Preis Ab £28.00 GBPAngebotspreis Ab £28.00 GBP Regulärer Preis -
Die Erschaffung der Sonne und des Mondes - Michelangelo BuonarrotiPrint · Framed · Canvas
Regulärer Preis Ab £28.00 GBPAngebotspreis Ab £28.00 GBP Regulärer Preis -
Die Bestrafung Hamans - Michelangelo BuonarrotiPrint · Framed · Canvas
Regulärer Preis Ab £30.00 GBPAngebotspreis Ab £30.00 GBP Regulärer Preis -
Die Delphische Sibylle - Michelangelo BuonarrotiPrint · Framed · Canvas
Regulärer Preis Ab £28.00 GBPAngebotspreis Ab £28.00 GBP Regulärer Preis
Artist Biography
Michelangelo
Michelangelo had his nose broken as a teenager by a fellow student called Pietro Torrigiano. They were both copying frescoes in the Brancacci Chapel when Torrigiano, tired of Michelangelo's taunting, punched him in the face. The nose stayed crooked for the rest of his life. Torrigiano was proud of it.
He was apprenticed to Domenico Ghirlandaio at thirteen, the standard arrangement for a Florentine boy showing artistic ability. Ghirlandaio ran the largest workshop in the city and was a master of fresco technique. Michelangelo left after one year, claiming there was nothing more to learn. He moved to the sculpture garden of Lorenzo de' Medici, where he studied ancient Roman fragments and attracted the patronage of the Medici family. He was sixteen.
The Pieta was finished when he was twenty-four. David when he was twenty-nine. Both before the age of thirty. He carved David from a block of marble that two previous sculptors had already attempted and abandoned: a narrow, shallow piece that dictated the figure's proportions and made the engineering problem as interesting as the artistic one.
Pope Julius II commissioned the Sistine Chapel ceiling in 1508. Michelangelo did not want the job. He considered himself a sculptor, not a painter, and suspected the commission was a political manoeuvre by rivals to set him up for public failure. He fired his assistants, built his own scaffolding, and painted the entire 65-foot ceiling himself over four years. The image of him lying on his back is a myth; he stood, bending backwards, paint dripping into his eyes.
He outlived both Leonardo and Raphael by more than forty years. His last significant work was the redesign of St Peter's Basilica in Rome. He took no fee.
He was apprenticed to Domenico Ghirlandaio at thirteen, the standard arrangement for a Florentine boy showing artistic ability. Ghirlandaio ran the largest workshop in the city and was a master of fresco technique. Michelangelo left after one year, claiming there was nothing more to learn. He moved to the sculpture garden of Lorenzo de' Medici, where he studied ancient Roman fragments and attracted the patronage of the Medici family. He was sixteen.
The Pieta was finished when he was twenty-four. David when he was twenty-nine. Both before the age of thirty. He carved David from a block of marble that two previous sculptors had already attempted and abandoned: a narrow, shallow piece that dictated the figure's proportions and made the engineering problem as interesting as the artistic one.
Pope Julius II commissioned the Sistine Chapel ceiling in 1508. Michelangelo did not want the job. He considered himself a sculptor, not a painter, and suspected the commission was a political manoeuvre by rivals to set him up for public failure. He fired his assistants, built his own scaffolding, and painted the entire 65-foot ceiling himself over four years. The image of him lying on his back is a myth; he stood, bending backwards, paint dripping into his eyes.
He outlived both Leonardo and Raphael by more than forty years. His last significant work was the redesign of St Peter's Basilica in Rome. He took no fee.
Warum uns wählen?