Sammlung
Luca Giordano
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Der Triumph von Bacchus und Ariadne – Luca GiordanoPrint
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Der Triumph Davids - Luca GiordanoPrint
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Die Parabel vom verlorenen Sohn: Ausschweifendes Leben – Luca GiordanoPrint
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Das Gleichnis vom verlorenen Sohn. Vom Vater empfangen – Luca GiordanoPrint
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Die Befreiung des Heiligen Petrus – Luca GiordanoPrint
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Das Letzte Abendmahl – Luca GiordanoPrint
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Die Flucht nach Ägypten - Luca GiordanoPrint
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Die Grablegung Christi - Luca GiordanoPrint
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Das Gleichnis vom verlorenen Sohn: Empfang seines Erbteils - Luca GiordanoPrint
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Diana und Endymion – Luca GiordanoPrint
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Das Gleichnis vom verlorenen Sohn. Von seinen früheren Gefährten vertrieben – Luca GiordanoPrint
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Die Entdeckung des Körpers des Holofernes – Luca GiordanoPrint
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Das Urteil des Paris - Luca GiordanoPrint
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Der heilige Sebastian, von Irene geheilt - Luca GiordanoPrint
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Amor besucht die schlafende Psyche - Luca GiordanoPrint
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Auferweckung des Lazarus - Luca GiordanoPrint
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Das Martyrium des Heiligen Januarius - Luca GiordanoPrint
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Das Opfer des Elia gegen die Propheten Baals - Luca GiordanoPrint
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Dekorative Decke (Detail) im Palazzo Medici Riccardi – Luca GiordanoPrint
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Die Vergewaltigung der Lukretia - Luca GiordanoPrint
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Der Tod des Seneca - Luca GiordanoPrint
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Psyche wird transportiert und entdeckt Cupidos Palast – Luca GiordanoPrint
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Allegorie der Klugheit - Luca GiordanoPrint
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Der Tod des Heiligen Alexius – Luca GiordanoPrint
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Artist Biography
Luca Giordano
Giordano admitted he had a gold brush, a silver brush and a bronze brush. The quality of his paintings ranged from brilliant to mediocre depending on how much attention he gave them, and he gave attention unevenly because he painted faster than anyone in seventeenth-century Europe. His nickname was Luca fa presto: Luca paints quickly. He reportedly completed a large altarpiece in a single day.
He was born in Naples in 1634 and trained under Jusepe de Ribera. Around 1652 he travelled to Rome, where he absorbed Pietro da Cortona's Baroque dynamism and studied the High Renaissance masters. His other nickname, Proteus, came from his ability to produce convincing pastiches in the style of almost any painter: Durer, Titian, Veronese. The skill was admired rather than criticised; versatility was a virtue in Baroque Naples.
In 1692, Charles II of Spain invited him to Madrid, where he spent ten years painting frescoes in the Escorial, the Royal Palace and other buildings. His Spanish work is among his best: the scale suited his ambition, and the court demanded the gold brush. He returned to Naples in 1702 after the king's death.
His late paintings, lighter and less rhetorical than his Roman-influenced middle period, anticipated the Rococo. Fragonard admired them a generation later. Giordano was generous with money, particularly to poorer artists, and spent large sums on acts of patronage and charity. His output was enormous, running to thousands of works across oil and fresco. He died in Naples in 1705, at seventy.
He was born in Naples in 1634 and trained under Jusepe de Ribera. Around 1652 he travelled to Rome, where he absorbed Pietro da Cortona's Baroque dynamism and studied the High Renaissance masters. His other nickname, Proteus, came from his ability to produce convincing pastiches in the style of almost any painter: Durer, Titian, Veronese. The skill was admired rather than criticised; versatility was a virtue in Baroque Naples.
In 1692, Charles II of Spain invited him to Madrid, where he spent ten years painting frescoes in the Escorial, the Royal Palace and other buildings. His Spanish work is among his best: the scale suited his ambition, and the court demanded the gold brush. He returned to Naples in 1702 after the king's death.
His late paintings, lighter and less rhetorical than his Roman-influenced middle period, anticipated the Rococo. Fragonard admired them a generation later. Giordano was generous with money, particularly to poorer artists, and spent large sums on acts of patronage and charity. His output was enormous, running to thousands of works across oil and fresco. He died in Naples in 1705, at seventy.
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