Sammlung
Edward Burne Jones
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Weiblicher Akt: Fünf Studien eines sitzenden Mädchens – Edward Burne-Jones
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Flammenbaum aus The Flower Book – Edward Burne-Jones
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Studie für „Das Scheitern von Gawaine“ – Edward Burne-Jones
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Zwei Studien für die Figur rechts (Aus „Die Klage“) - Edward Burne-Jones
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Cupid und Psyche – Edward Burne-Jones
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Pomona - Edward Burne-Jones
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Studie zu den Heiligen Cäcilia und Frideswida – Edward Burne-Jones
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Pygmalion und das Bild: Das Herz begehrt – Edward Burne-Jones
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Studie von Finken (für „Die Liebe führt den Pilger“) – Edward Burne-Jones
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Pygmalion und das Bild: Die zögernde Hand – Edward Burne-Jones
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Eine Seenymphe - Edward Burne-Jones
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Psyche empfängt das Kästchen von Proserpina – Edward Burne-Jones
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Engel auf Glocken spielend – Edward Burne-Jones
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Artist Biography
Edward Burne Jones
Edward Burne-Jones, a leading light of the second wave of the Pre-Raphaelite movement, conjured worlds of myth and legend on canvas. Born in Birmingham, he initially intended to enter the clergy, but his encounter with the art and writings of John Ruskin and Dante Gabriel Rossetti at Oxford sparked a lifelong devotion to art. Burne-Jones's aesthetic, characterised by elongated figures, ethereal beauty, and a dreamlike atmosphere, offered an escape from the industrial realities of Victorian England.
Though closely associated with Rossetti, Burne-Jones forged his own distinct path, drawing inspiration from Arthurian romances, classical mythology, and the burgeoning Symbolist movement. His works, such as 'The Beguiling of Merlin' and 'King Cophetua and the Beggar Maid', are not mere illustrations but rather explorations of complex emotional states and timeless human dramas. He embraced decorative arts, designing stained glass, tapestries, and mosaics, believing in the unity of art and life.
Burne-Jones's influence extended far beyond his own lifetime. His emphasis on beauty, imagination, and the evocative power of art paved the way for the Aesthetic movement and later Symbolist painters. Collecting a Burne-Jones print allows one to bring a touch of medieval romance and ethereal beauty into the everyday, a reminder of the power of art to transport and transform.
Though closely associated with Rossetti, Burne-Jones forged his own distinct path, drawing inspiration from Arthurian romances, classical mythology, and the burgeoning Symbolist movement. His works, such as 'The Beguiling of Merlin' and 'King Cophetua and the Beggar Maid', are not mere illustrations but rather explorations of complex emotional states and timeless human dramas. He embraced decorative arts, designing stained glass, tapestries, and mosaics, believing in the unity of art and life.
Burne-Jones's influence extended far beyond his own lifetime. His emphasis on beauty, imagination, and the evocative power of art paved the way for the Aesthetic movement and later Symbolist painters. Collecting a Burne-Jones print allows one to bring a touch of medieval romance and ethereal beauty into the everyday, a reminder of the power of art to transport and transform.
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