View of Prague - Oskar Kokoschka
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Beskrivning
A dynamic, expressionist cityscape of Prague by Oskar Kokoschka, featuring thick brushwork and a warm, atmospheric palette.
Oskar Kokoschka produced this depiction of Prague during his period of exile in the city, which lasted from 1934 until 1938. The work captures the urban geography of the Czech capital through a lens of subjective emotional intensity. Kokoschka employs a frenetic application of paint, using thick, gestural brushwork to define the architectural forms of the city. The composition is organised around the Vltava River, which snakes through the centre of the frame, leading the eye toward the distant spires and the silhouette of the Hradčany castle complex.
The colour palette is dominated by earthy ochres, deep browns, and burnt oranges, which contrast with the cooler, atmospheric tones of the sky and water. Rather than seeking photographic accuracy, the artist prioritises the psychological weight of the environment. The sky is rendered with turbulent, sweeping strokes that suggest a sense of impending change or unease, a common theme in Kokoschka's work during this period of political instability in Europe. The buildings appear to lean and shift, reflecting the artist's interest in the fluidity of human perception rather than static representation.
This painting is part of a series of cityscapes Kokoschka created while travelling across Europe. It demonstrates his ability to synthesise the physical reality of a location with his own internal state. The heavy impasto and the visible tracks of the brush create a tactile surface that draws the viewer into the scene. By focusing on the interplay between light and shadow across the rooftops, Kokoschka provides a view of Prague that is both recognisable and deeply personal. The work remains a significant example of his mature Expressionist style, where the physical act of painting becomes a primary vehicle for conveying the character of a place.
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Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
View of Prague - Oskar Kokoschka
Artist Biography
Oskar Kokoschka
He was born in 1886 in Pochlarn, Austria. He was shot through the head in Ukraine and bayoneted in the chest in Russia. He survived both.
After the war, he commissioned a Munich dollmaker named Hermine Moos to create a life-size replica of Alma, sending detailed instructions about the feel of her skin and the weight of her body. Moos covered the figure in feathers instead. Kokoschka eventually staged a public execution: he decapitated the doll and smashed a bottle of wine over its head on his lawn. The police arrived the next morning, thinking he had murdered a woman.
The Nazis declared him a degenerate artist. He fled Czechoslovakia for London after the Munich Agreement and became a British citizen in 1947. His Expressionist portraits are among the most psychologically penetrating of the twentieth century: raw, agitated surfaces that seem to expose the sitter's interior state. He lived to ninety-four.
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