Fine Art Poster
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Untitled Pink Monochrome - Yves Klein
Ordinarie pris
£37.00 GBP
Reapris
£37.00 GBP
Ordinarie pris
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Beskrivning
A striking example of Yves Klein's monochrome practice, this work uses a single, intense pink hue to explore the sensory power of pure colour.
Yves Klein is widely recognised for his exploration of pure colour as a vehicle for spiritual and sensory experience. While he is most frequently associated with his signature International Klein Blue, his investigations into the monochrome extended to other hues, including gold and pink. This work belongs to his series of pink monochromes, which he often referred to as 'Monopink'.
In these compositions, Klein sought to remove the distraction of form, subject, or narrative. By applying a single, uniform layer of pigment across the entire surface of the canvas, he invited the viewer to engage directly with the physical presence of the colour itself. The texture of the paint, visible in the subtle variations across the surface, provides a tactile quality that contrasts with the conceptual simplicity of the work. Klein believed that colour was a living entity, capable of occupying space and affecting the viewer on a visceral level.
This piece functions as an exercise in reduction. By eliminating the traditional elements of painting, Klein forces a confrontation with the void. The pink hue chosen here possesses a specific intensity, avoiding the decorative associations often attached to the colour. Instead, it operates as a field of energy. The work is not intended to represent an object or a scene, but rather to exist as an autonomous reality. It is a manifestation of Klein's desire to liberate art from the constraints of representation, allowing the viewer to experience the absolute nature of the medium. The surface remains flat, yet the saturation of the pigment creates a sense of depth that draws the eye inward, encouraging a meditative state. This print captures the specific materiality of Klein's original application, preserving the matte finish and the subtle irregularities that define his approach to the monochrome.
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Tillverkning
Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Komplettera looken
Untitled Pink Monochrome - Yves Klein
Ordinarie pris
Från £37.00 GBP
Reapris
Från £37.00 GBP
Ordinarie pris
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Yves Klein
Klein patented a colour. International Klein Blue, or IKB, is an ultramarine pigment suspended in a synthetic resin that keeps the colour saturated and matte. He registered it in 1960. The blue is so intense it appears to absorb light. He covered canvases, sponges, plaster casts, and globe sculptures in it. He covered naked women in it and pressed them against canvas (he called them 'Anthropometries' and performed the process in front of an audience while a chamber orchestra played his Monotone-Silence Symphony: twenty minutes of a single sustained chord followed by twenty minutes of silence).
He was born in Nice to artist parents and grew up between France, England, and Spain. He studied judo seriously, earning a fourth-degree black belt in Tokyo, and considered martial arts and art as related disciplines: both requiring control, precision, and the projection of force.
He exhibited an empty gallery in 1958 and called it Le Vide (The Void). Over three thousand people attended the opening. The gallery walls were painted white. There was nothing else. He served blue cocktails at the door. He sold invisible paintings (Zones of Immaterial Pictorial Sensibility) for gold, then threw half the gold into the Seine and burned the receipt.
He died of a heart attack in 1962, at thirty-four. His career lasted roughly eight years. In that time he made the monochromes, the Anthropometries, the fire paintings, the sponge sculptures, the void exhibitions, and enough theoretical writing to fill several volumes. He remains one of the most influential artists of the post-war period, which he would have considered insufficient recognition.
He was born in Nice to artist parents and grew up between France, England, and Spain. He studied judo seriously, earning a fourth-degree black belt in Tokyo, and considered martial arts and art as related disciplines: both requiring control, precision, and the projection of force.
He exhibited an empty gallery in 1958 and called it Le Vide (The Void). Over three thousand people attended the opening. The gallery walls were painted white. There was nothing else. He served blue cocktails at the door. He sold invisible paintings (Zones of Immaterial Pictorial Sensibility) for gold, then threw half the gold into the Seine and burned the receipt.
He died of a heart attack in 1962, at thirty-four. His career lasted roughly eight years. In that time he made the monochromes, the Anthropometries, the fire paintings, the sponge sculptures, the void exhibitions, and enough theoretical writing to fill several volumes. He remains one of the most influential artists of the post-war period, which he would have considered insufficient recognition.
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Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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