Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Untitled (Glastår) - Man Ray
Ordinarie pris
£28.00 GBP
Reapris
£28.00 GBP
Ordinarie pris
Arkivbeständigt giclée-tryck
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Beskrivning
En klassisk surrealistisk fotografi av Man Ray, som fångar ett glasobjekt i starkt ljus och skugga för att skapa en kuslig, drömlik effekt.
Denna bild är ett banbrytande exempel på surrealistisk fotografi av Man Ray. Kompositionen visar ett glasobjekt, ofta tolkat som en tår eller ett klotformigt kärl, isolerat mot en neutral bakgrund. Belysningen skapar en skarp, långsträckt skugga, som ger en känsla av volym och fysisk närvaro till det annars eteriska motivet. Man Ray använde kameran för att omvandla vardagliga föremål till kusliga former, en praktik som var central för surrealismens mål att undergräva rationell perception.
Objektet i sig har en slät, reflekterande yta som fångar ljus på ett sätt som antyder både bräcklighet och beständighet. Genom att ta bort objektets sammanhang tvingar konstnären betraktaren att konfrontera formen isolerat. Denna teknik, känd som dekontextualisering, gör att betraktaren kan projicera personlig mening på motivet. Den starka kontrasten mellan ljus och skugga betonar glasets skulpturala kvalitet, vilket förvandlar ett enkelt föremål till en mystisk, drömlik entitet.
Man Ray var en central figur i Dada- och surrealiströrelserna i Paris. Hans verk utforskade ofta gränserna mellan verklighet och det undermedvetna. Denna speciella fotografi är en del av en bredare utforskning av ljus, skugga och manipulation av fotografiska processer. Trycket visar hans tekniska precision och hans förmåga att finna estetisk potential i vardagliga material. Det förblir ett tydligt exempel på hur fotografi användes som ett verktyg för konstnärliga experiment under tidigt 1900-tal, och gick bortom ren dokumentation för att bli ett medium för psykologisk och visuell utforskning.
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Tillverkning
Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Komplettera looken
Untitled (Glastår) - Man Ray
Ordinarie pris
Från £28.00 GBP
Reapris
Från £28.00 GBP
Ordinarie pris
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Man Ray
Man Ray was born Emmanuel Radnitzky in Philadelphia and changed his name because it sounded better. The name change set the tone. He spent his career crossing boundaries: between painting and photography, between Dada and Surrealism, between Paris and New York, between art and fashion.
He moved to Paris in 1921 and stayed for twenty years. He arrived knowing Marcel Duchamp, who had been his closest collaborator in New York. The two of them shared an instinct for provocation. Man Ray's contribution to Dada was the 'rayograph', made by placing objects directly on photographic paper and exposing them to light. No camera, no lens. The results look like X-rays of the unconscious: keys, springs, hands, fabrics, rendered as white silhouettes on black.
He became the portrait photographer of the Parisian avant-garde. Picasso, Hemingway, Gertrude Stein, Jean Cocteau, the Surrealists. The portraits are sharp, well-lit, and respectful, which is not what you would expect from a Dadaist. He also worked in fashion photography for Vogue and Harper's Bazaar, which paid the bills and gave him access to models and studios.
The most famous image is Le Violon d'Ingres (1924): a photograph of Kiki de Montparnasse's back with f-holes painted on it, turning a woman into a cello. It is witty, elegant, and uncomfortable in exactly the way Surrealism intended. He claimed to value his paintings more than his photographs. The world disagreed, and he never entirely forgave it.
He returned to Paris after the war and stayed until his death in 1976, at eighty-six.
He moved to Paris in 1921 and stayed for twenty years. He arrived knowing Marcel Duchamp, who had been his closest collaborator in New York. The two of them shared an instinct for provocation. Man Ray's contribution to Dada was the 'rayograph', made by placing objects directly on photographic paper and exposing them to light. No camera, no lens. The results look like X-rays of the unconscious: keys, springs, hands, fabrics, rendered as white silhouettes on black.
He became the portrait photographer of the Parisian avant-garde. Picasso, Hemingway, Gertrude Stein, Jean Cocteau, the Surrealists. The portraits are sharp, well-lit, and respectful, which is not what you would expect from a Dadaist. He also worked in fashion photography for Vogue and Harper's Bazaar, which paid the bills and gave him access to models and studios.
The most famous image is Le Violon d'Ingres (1924): a photograph of Kiki de Montparnasse's back with f-holes painted on it, turning a woman into a cello. It is witty, elegant, and uncomfortable in exactly the way Surrealism intended. He claimed to value his paintings more than his photographs. The world disagreed, and he never entirely forgave it.
He returned to Paris after the war and stayed until his death in 1976, at eighty-six.
Made to order
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Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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