Fine Art Poster
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Untitled (Dancing Figures) - Keith Haring
Ordinarie pris
£37.00 GBP
Reapris
£37.00 GBP
Ordinarie pris
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Beskrivning
A classic example of Keith Haring's graphic style, featuring his iconic dancing figures rendered in bold black outlines and primary colours.
Keith Haring emerged from the New York City street culture of the 1980s. His visual language relies on bold, black outlines and simplified human forms. This work features his signature dancing figures, which appear in motion through the use of short, radiating lines. These marks suggest energy and vibration, a common device in his graphic vocabulary.
The composition uses a primary colour palette of red, yellow, blue, and green. These flat, unmodulated fields of colour sit behind the black line work. By avoiding shading or perspective, Haring keeps the focus on the silhouette and the gesture of the figures. His approach draws from semiotics, where symbols communicate ideas directly without the need for complex representation.
Haring often produced work that addressed social themes, yet his aesthetic remains accessible. The figures lack specific facial features or clothing, which allows them to function as universal archetypes. This anonymity encourages the viewer to project their own experiences onto the scene. The work reflects the urgency of his practice, which frequently moved between public spaces and gallery settings. His ability to distil human movement into a few essential strokes remains a defining characteristic of his output. This print captures the kinetic quality of his original drawings, maintaining the stark contrast between the ink lines and the saturated colour blocks.
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Tillverkning
Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Komplettera looken
Untitled (Dancing Figures) - Keith Haring
Ordinarie pris
Från £37.00 GBP
Reapris
Från £37.00 GBP
Ordinarie pris
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Keith Haring
Haring learned to draw from his father, an amateur cartoonist who worked as an engineer in Kutztown, Pennsylvania. The two of them would sit together making pictures. Walt Disney and Charles Schulz were the reference points. That combination of cartoon simplicity and obsessive repetition stayed with him.
He moved to New York in 1978 to attend the School of Visual Arts and within two years had found his medium: white chalk on the matte black paper that covered unused advertising panels in subway stations. He drew in the stations almost every day between 1980 and 1985, sometimes producing forty drawings in a single session. Commuters watched. The police arrested him repeatedly for vandalism. The drawings kept appearing.
The subway work made him famous before galleries did. Radiant babies, barking dogs, crawling figures, flying saucers: a vocabulary of shapes repeated and recombined like a visual language. The line work was fast and confident and looked easy, which was part of the point. He wanted art that anyone could read immediately. In 1986 he opened the Pop Shop in SoHo, selling t-shirts, posters, and badges with his designs at prices people could actually pay. The art world called it selling out. Andy Warhol, who had been doing exactly the same thing for twenty years, supported him.
He was diagnosed with HIV in 1987 and with AIDS the following year. The last works are direct: the 'Ignorance = Fear' poster for ACT UP, the Barcelona mural 'Todos Juntos Podemos Parar el SIDA', the horned sperm figure that became his symbol for the virus. He set up the Keith Haring Foundation in 1989 to fund AIDS organisations and children's programmes. He died in February 1990, at thirty-one. He was cremated and his ashes were scattered in a field near Kutztown, close to where he first sat drawing with his father.
He moved to New York in 1978 to attend the School of Visual Arts and within two years had found his medium: white chalk on the matte black paper that covered unused advertising panels in subway stations. He drew in the stations almost every day between 1980 and 1985, sometimes producing forty drawings in a single session. Commuters watched. The police arrested him repeatedly for vandalism. The drawings kept appearing.
The subway work made him famous before galleries did. Radiant babies, barking dogs, crawling figures, flying saucers: a vocabulary of shapes repeated and recombined like a visual language. The line work was fast and confident and looked easy, which was part of the point. He wanted art that anyone could read immediately. In 1986 he opened the Pop Shop in SoHo, selling t-shirts, posters, and badges with his designs at prices people could actually pay. The art world called it selling out. Andy Warhol, who had been doing exactly the same thing for twenty years, supported him.
He was diagnosed with HIV in 1987 and with AIDS the following year. The last works are direct: the 'Ignorance = Fear' poster for ACT UP, the Barcelona mural 'Todos Juntos Podemos Parar el SIDA', the horned sperm figure that became his symbol for the virus. He set up the Keith Haring Foundation in 1989 to fund AIDS organisations and children's programmes. He died in February 1990, at thirty-one. He was cremated and his ashes were scattered in a field near Kutztown, close to where he first sat drawing with his father.
Made to order
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Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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