Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Untitled (D’Cily) - Kurt Schwitters
Ordinarie pris
£28.00 GBP
Reapris
£28.00 GBP
Ordinarie pris
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Beskrivning
A 1942 collage by Kurt Schwitters, featuring layered ephemera and photographic fragments that explore themes of fragmentation and displacement.
Kurt Schwitters, a central figure in the Dada movement, developed his own approach to collage, which he termed Merz. This work, Untitled (D’Cily), created in 1942, demonstrates his method of repurposing discarded materials to construct new visual narratives. By assembling fragments of printed ephemera, tickets, and photographic clippings, Schwitters disrupts traditional modes of representation.
The composition is anchored by a central, abstract black and grey form that obscures the underlying imagery. Peering from behind this geometric block are human eyes, creating a tension between the hidden and the revealed. The surrounding elements include a small photographic portrait of a woman, text fragments, and a pair of legs positioned at the top, which further fragment the human form. The inclusion of the text 'Gallerie Moderner Meister' at the base adds a layer of irony, as the work itself is composed of the very refuse that traditional galleries of the time would have excluded.
Schwitters spent his later years in exile in Britain, and his work from this period often reflects the displacement and instability of the era. The materials used are not merely decorative; they are remnants of daily life, salvaged and recontextualised. The layering process creates a sense of depth, despite the flat nature of the paper components. This piece invites the viewer to consider the relationship between mass-produced imagery and the individual perspective. It is a study in fragmentation, where the artist forces a dialogue between disparate visual sources. The work remains a clear example of how Schwitters utilised the aesthetics of waste to comment on the cultural shifts of the mid-twentieth century.
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Tillverkning
Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Komplettera looken
Untitled (D’Cily) - Kurt Schwitters
Ordinarie pris
Från £28.00 GBP
Reapris
Från £28.00 GBP
Ordinarie pris
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Kurt Schwitters
Schwitters built an artwork inside his house in Hanover. Starting around 1923, the Merzbau grew outward from a column of collaged objects in his studio until there was barely room to live. He worked on it for sixteen years. Allied bombing destroyed it in 1943. He built a second Merzbau in Lysaker, Norway. The Nazis invaded; he abandoned it. It burned down in 1951. He started a third at Cylinders Farm in the English Lake District. He died in January 1948, leaving it unfinished.
He was born in Hanover in 1887, an only child whose father ran a ladies' clothing shop. He suffered from epilepsy throughout his life. He fled to Norway in 1937, then to Scotland in 1940, where he was classified as an enemy alien and interned in camps including Hutchinson Camp on the Isle of Man. While interned, he allegedly made small sculptures from leftover oatmeal.
His art, which he called Merz (a fragment of the word Kommerz), used collage, found objects, poetry, sound art, typography, and installation. He worked across Dadaism, Constructivism, and Surrealism, often simultaneously. He was largely neglected by the time he died.
He was born in Hanover in 1887, an only child whose father ran a ladies' clothing shop. He suffered from epilepsy throughout his life. He fled to Norway in 1937, then to Scotland in 1940, where he was classified as an enemy alien and interned in camps including Hutchinson Camp on the Isle of Man. While interned, he allegedly made small sculptures from leftover oatmeal.
His art, which he called Merz (a fragment of the word Kommerz), used collage, found objects, poetry, sound art, typography, and installation. He worked across Dadaism, Constructivism, and Surrealism, often simultaneously. He was largely neglected by the time he died.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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