Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Two Ladies - Suzuki Harunobu
Ordinarie pris
£28.00 GBP
Reapris
£28.00 GBP
Ordinarie pris
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Beskrivning
A refined ukiyo-e woodblock print by Suzuki Harunobu, depicting two women in a quiet domestic moment with delicate line work and soft colours.
Suzuki Harunobu was a central figure in the development of nishiki-e, or brocade prints, which introduced full-colour printing to the ukiyo-e tradition. This work depicts two women in a domestic interior, a common subject within the bijin-ga genre, which focused on the beauty of women. One woman stands while the other kneels, holding a hand mirror to inspect her reflection. The composition relies on the subtle interplay of architectural lines and the soft, muted tones characteristic of Harunobu's mature period.
The artist employs a delicate line quality to define the figures and their garments. The spatial arrangement is relatively flat, typical of the period, with the interior space suggested through the placement of sliding screens and the lantern. The inclusion of calligraphy at the top of the print integrates text with the visual narrative, a common practice in Japanese woodblock printing that adds a layer of literary context to the scene. The colour palette is restrained, favouring soft pinks, muted greens, and earthy tones that create a sense of quietude.
Harunobu's work is recognised for its lyrical quality and the slender, ethereal proportions of his subjects. By moving away from the more robust figures seen in earlier ukiyo-e, he established a new aesthetic standard for the depiction of women in Edo-period Japan. This print captures a fleeting moment of daily life, rendered with technical precision and a refined sensibility. The use of multiple woodblocks allowed for the layering of colours, resulting in the nuanced appearance of the textiles and the subtle shading of the background elements. This piece offers a clear view into the artistic innovations that defined the mid-eighteenth-century Japanese print market.
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Tillverkning
Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Komplettera looken
Two Ladies - Suzuki Harunobu
Ordinarie pris
Från £28.00 GBP
Reapris
Från £28.00 GBP
Ordinarie pris
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Suzuki Harunobu
Suzuki Harunobu did not start his career with the full palette of colours for which he is now known. His early work consisted of simple two-colour prints and mizu-e, or water pictures, which used coloured key blocks instead of black to create a pale appearance. His transition occurred in 1765 when he collaborated with private poetry clubs to produce egoyomi, which were pictorial calendars. These commissions allowed him to use the expensive pigments and heavy paper that defined nishiki-e, or brocade pictures.
Harunobu moved away from the stiff portraits of kabuki actors common in his era. He preferred to depict young women in their daily lives, often using an elevated viewpoint to look into private spaces. His series Zashiki hakkei, or Eight Parlour Views, provides a clear example of his method. He took classical Chinese themes and reimagined them as domestic scenes. A temple bell might become a chiming clock. A distant storm is represented by a woman drying herself after a bath.
Modern collectors value these prints for their quiet atmosphere and precise compositions. Harunobu avoided the aggressive energy of later ukiyo-e artists. He chose instead to focus on slender figures and soft colour harmonies. His work captures specific moments of leisure, such as playing cat's cradle or walking by the shore. These scenes offer a calm window into eighteenth-century Japan. They remain popular because they balance historical detail with a clean, graphic sensibility that suits contemporary interiors.
Harunobu moved away from the stiff portraits of kabuki actors common in his era. He preferred to depict young women in their daily lives, often using an elevated viewpoint to look into private spaces. His series Zashiki hakkei, or Eight Parlour Views, provides a clear example of his method. He took classical Chinese themes and reimagined them as domestic scenes. A temple bell might become a chiming clock. A distant storm is represented by a woman drying herself after a bath.
Modern collectors value these prints for their quiet atmosphere and precise compositions. Harunobu avoided the aggressive energy of later ukiyo-e artists. He chose instead to focus on slender figures and soft colour harmonies. His work captures specific moments of leisure, such as playing cat's cradle or walking by the shore. These scenes offer a calm window into eighteenth-century Japan. They remain popular because they balance historical detail with a clean, graphic sensibility that suits contemporary interiors.
Made to order
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Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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