Trees Laden with Parasites and Epiphytes in a Brazilian Garden - Marianne North
Arkivbeständigt giclée-tryck
Ramar levereras klara att hängas upp
Säker utcheckning
Tillverkad på beställning
Beskrivning
A detailed botanical study by Marianne North, capturing the lush flora and a butterfly in a Brazilian garden.
Marianne North was a prolific Victorian traveller and painter who documented global flora with scientific precision. This work, produced during her extensive travels in Brazil, captures the dense, humid environment of a tropical garden. North eschewed the typical studio-based approach of her contemporaries, preferring to paint specimens in their natural habitats. Her method involved direct observation, which allowed her to record the specific textures of leaves and the delicate structures of epiphytic plants.
The composition focuses on the interplay between the deep green, ribbed foliage and the clusters of bright red flowers. A large, pale butterfly rests in the foreground, providing a stark contrast to the surrounding vegetation. North utilised oil paint on board, a medium that allowed her to maintain the clarity of her subjects while working in challenging, humid climates. Her work is housed in the Marianne North Gallery at the Royal Botanic Gardens, Kew, which she funded and designed to display her collection of over 800 paintings.
This piece demonstrates North's ability to balance scientific accuracy with aesthetic composition. The attention to the venation of the leaves and the specific growth patterns of the parasitic plants reflects her interest in botany. Unlike many botanical illustrators of the era who focused on isolated specimens, North often included the surrounding ecosystem, providing context for the plants she depicted. Her work remains a valuable record of tropical biodiversity during the late nineteenth century, capturing environments that have since undergone significant change. The clarity of her brushwork and her disciplined approach to colour ensure that the viewer can distinguish the various species present in the scene, making this a fine example of her contribution to both art and natural history.
Returpolicy
Eftersom varje tryck görs på beställning erbjuder vi inte returer, återbetalningar eller byten på grund av ändrade åsikter. Om din beställning kommer fram felaktig, skadad eller fel, ersätter vi den kostnadsfritt – kontakta oss bara inom 48 timmar efter leverans. Se vår återbetalningssida för fullständig information.
Frakt
Vi skickar till hela världen och trycker vid den produktionsanläggning som är närmast din leveransadress. Leveranstider och kostnader varierar beroende på destination – du ser tillgängliga alternativ i kassan.
Tillverkning
Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Trees Laden with Parasites and Epiphytes in a Brazilian Garden - Marianne North
Artist Biography
Marianne North
She was born in 1830 into a wealthy Norfolk family. Her father was an MP. She trained as a singer, but her voice failed and she turned to painting. She was devoted to her father and travelled with him until his death in 1869, which freed her to go further.
She painted plants in oils, not watercolours, and she painted them in situ within their habitats, including animals, people, and temples. In Borneo she painted a pitcher plant unknown to science, which was named Nepenthes northiana in her honour. Charles Darwin personally suggested she visit Australia. She completed 848 paintings in thirteen years, donated 832 to Kew Gardens, and paid for the gallery to house them herself. The Marianne North Gallery at Kew remains the only permanent solo exhibition in a major UK institution. She died in 1890.
Varför välja oss?
Leveransgaranti utan skador
Snabb leverans
Material av museikvalitet
Du kanske också gillar