There is over - El Lissitzky
Arkivbeständigt giclée-tryck
Ramar levereras klara att hängas upp
Säker utcheckning
Tillverkad på beställning
Beskrivning
A classic Suprematist lithograph by El Lissitzky, featuring geometric forms and typographic elements in a balanced, abstract composition.
This work is a lithograph from the Suprematist portfolio, produced by El Lissitzky in 1922. It represents the artist's engagement with the geometric language of Suprematism, a movement initiated by Kazimir Malevich. Lissitzky adapted these principles to create what he termed 'Prouns', which functioned as a bridge between painting and three-dimensional architectural space.
The composition relies on a restricted visual vocabulary: a large red square, a smaller black square, and various grey circular segments. These elements are arranged against a stark, off-white background. The red square appears to tilt or slide, creating a sense of kinetic energy within the static frame. The inclusion of Cyrillic text, specifically the words 'Тут' and 'кончено', adds a typographic layer to the geometric abstraction. This integration of text and form is characteristic of Lissitzky's broader work in graphic design and book production.
Visually, the print balances weight and negative space. The grey washes provide a subtle texture that contrasts with the flat, opaque application of the red and black shapes. The lines are precise and mechanical, reflecting the artist's interest in the industrial aesthetic of the early twentieth century. By stripping away representational imagery, the work focuses on the relationship between geometric forms and the viewer's perception of space. It is a clear example of the formal experimentation that defined the Russian avant-garde during this period.
Returpolicy
Eftersom varje tryck görs på beställning erbjuder vi inte returer, återbetalningar eller byten på grund av ändrade åsikter. Om din beställning kommer fram felaktig, skadad eller fel, ersätter vi den kostnadsfritt – kontakta oss bara inom 48 timmar efter leverans. Se vår återbetalningssida för fullständig information.
Frakt
Vi skickar till hela världen och trycker vid den produktionsanläggning som är närmast din leveransadress. Leveranstider och kostnader varierar beroende på destination – du ser tillgängliga alternativ i kassan.
Tillverkning
Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
There is over - El Lissitzky
Artist Biography
El Lissitzky
He was born Lazar Markovich Lissitzky in 1890. After returning to Russia, he worked alongside Malevich at the UNOVIS art school in Vitebsk, where Suprematism and the revolution were supposed to be the same thing. He became one of the most influential graphic designers of the twentieth century, his poster designs, book layouts, and exhibition installations connecting Russian avant-garde art to the Bauhaus and De Stijl in western Europe.
He contracted pulmonary tuberculosis and continued working as a book artist and photomonteur because he could do it lying down. His sister Jenta committed suicide in Vitebsk in 1925 while he was hospitalised in Switzerland. He married Sophie Kuppers, a German woman whose family disapproved of the match; she had to leave her sons behind to move to Moscow. He died in Moscow in 1941, the year Germany invaded Russia.
Varför välja oss?
Leveransgaranti utan skador
Snabb leverans
Material av museikvalitet
Du kanske också gillar