The Trees - André Derain
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Beskrivning
A classic example of Fauvism by André Derain, featuring bold, non-naturalistic colours and rhythmic brushwork to depict a Mediterranean scene.
André Derain painted this work during his time in the south of France, a period that defined the Fauvist movement. The composition rejects traditional naturalism in favour of arbitrary, non-descriptive colour. Derain uses bold, unmixed pigments to construct the scene: the trunks of the trees are rendered in stark reds and purples, while the foliage and ground are composed of contrasting blocks of blue, yellow, and orange.
This approach to colour is characteristic of the Fauves, who sought to liberate painting from the requirement to mimic the appearance of the physical world. By applying paint in distinct, rhythmic strokes, Derain creates a surface that feels immediate and tactile. The spatial depth is compressed, pushing the mountains into the background while keeping the foreground elements prominent. The lack of traditional shading or modelling forces the viewer to engage with the canvas as a flat arrangement of colour rather than a window into a scene.
This work reflects the experimental spirit of the early twentieth century, where artists moved away from the constraints of academic realism. The use of high-contrast hues creates a sense of energy, yet the structure remains deliberate and controlled. Derain avoids soft transitions, opting instead for clear boundaries between colour fields. This method allows the individual components of the painting to maintain their own visual weight. The result is a study in how colour can function independently of form, a concept that would influence many subsequent developments in modern art.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Trees - André Derain
Artist Biography
Andre Derain
He was born in Chatou in 1880 and had originally studied to become an engineer. He met Matisse in 1898 while attending painting classes under Eugene Carriere. The Fauvist paintings are explosions of unnatural colour: trees in orange, water in violet, shadows in green. They were among the most radical works produced in Paris at the turn of the century.
By 1908, Derain was already breaking with the style. He turned to Cezanne, then passed through a Cubist phase, and by the 1920s had arrived at a fully Neoclassical manner. The wildest of the Fauves became one of the most conservative painters in France. The conservative turn brought financial success and mainstream praise. During the Second World War, the Nazis approved of his Neoclassical work. After the war, he was unjustly accused of collaboration. His reputation never fully recovered. He died in 1954.
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