A detailed eighteenth-century engraving depicting the historical encounter between Margaret of Anjou and a robber in a forest.

This fine art print, engraved by Victor Marie Picot after a design by Samuel Hieronymus Grimm, depicts a dramatic episode from the Wars of the Roses. The narrative centres on Margaret of Anjou, the queen consort of Henry VI, who is shown in a dense woodland setting after being waylaid by a robber. According to the historical account provided in the lower margin, the queen, accompanied by her son, confronts her assailant with composure and dignity. By invoking the name of the King, she successfully persuades the robber to abandon his criminal intent and instead offer his protection to the royal party.

The composition employs a classic eighteenth-century approach to historical illustration. The figures are positioned in the lower left, dwarfed by the towering, gnarled trees that frame the scene. This use of scale emphasises the vulnerability of the royal figures within the wild, untamed forest. The etching technique allows for a high degree of textural detail, particularly in the rendering of the bark, foliage, and the varied light filtering through the canopy. The work is bilingual, featuring text in both English and French, which was a common practice for prints intended for a broad European market during the period. Published by Robert Sayer and John Bennett in London, the print serves as a record of the popular interest in British history and moralising tales during the late Georgian era. The balanced composition and the clear, legible narrative structure reflect the aesthetic values of the time, where art functioned as both a decorative object and a vehicle for historical education. The print remains a precise example of the collaborative nature of printmaking in the eighteenth century, involving a designer, an engraver, and a commercial publisher.