The Rock of Moses - David Roberts
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Beskrivning
A detailed topographical watercolour by David Roberts, depicting the biblical site of the Rock of Moses in the Sinai desert.
David Roberts, a Scottish painter, travelled extensively through the Near East during the late 1830s. His documentation of the region resulted in a series of lithographs and watercolours that captured the scale of the desert terrain. This work depicts the site traditionally associated with the biblical account of Moses striking the rock to provide water for the Israelites.
The composition focuses on the massive, weathered stone formation, which dominates the foreground. Roberts employs a light, warm palette to convey the harsh, arid atmosphere of the Sinai Peninsula. The towering cliffs in the background are rendered with soft, atmospheric washes, creating a sense of immense distance and scale. In the lower portion of the frame, a small group of figures provides a sense of proportion, their presence contrasting with the geological permanence of the rock.
Roberts was known for his technical precision and his ability to balance architectural detail with the vastness of the natural environment. His work was widely circulated in Britain, shaping the Victorian public perception of the Holy Land. This print captures the specific light and texture of the original watercolour, reflecting the artist's focus on topographical accuracy and the romanticised view of the desert. The interplay between the sharp, sunlit edges of the rock and the hazy, distant mountains demonstrates his command of light and shadow. This piece is a representative example of the nineteenth-century fascination with biblical geography and the documentation of remote, historically significant locations.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Rock of Moses - David Roberts
Artist Biography
David Roberts
In 1838 he sailed for Egypt and spent the next two years travelling through the Middle East, filling sketchbooks with drawings of temples, mosques, ruins and desert landscapes that almost no British artist had recorded before. To enter the mosques he had to shave off his sideburns, leave his hog-hair brushes behind (the pig being unclean), and wear traditional Arab clothing while he worked. He was one of the first Europeans allowed to paint inside a mosque.
The sketches became The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia, a series of 247 lithograph plates produced in collaboration with the printer Louis Haghe between 1842 and 1849. He funded the project through advance subscriptions, soliciting them personally. Queen Victoria was subscriber number one. Her complete set is still in the Royal Collection.
The lithographs gave Europeans their first detailed visual record of the ancient Near East. They were bought as art, used as reference by scholars, and shaped the Western imagination of Egypt and Palestine for the rest of the century.
His personal life was less composed. His wife Margaret became an alcoholic and in 1831 he sent her back to Scotland to be cared for by friends. He raised their daughter Christine largely alone. He was elected to the Royal Academy in 1841, a considerable achievement for a man who had started painting houses, and worked steadily until his death in 1864.
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