The Painter's Daughters Chasing a Butterfly - Thomas Gainsborough
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A tender portrait of the artist's two daughters, Mary and Margaret, captured in a moment of childhood play within a woodland setting.
Thomas Gainsborough painted this portrait of his two daughters, Mary and Margaret, during his time in Ipswich. The work captures a fleeting moment of childhood play, as the girls pursue a butterfly. This subject matter reflects the artist's personal affection for his family, moving away from the formal, rigid portraiture common in the eighteenth century.
The composition features the sisters hand-in-hand, their figures emerging from a dark, atmospheric woodland background. Gainsborough uses a soft, fluid brushwork technique, which allows the light to catch the folds of their dresses and the expressions on their faces. The younger daughter, Mary, reaches out toward the butterfly, while Margaret looks on with a gentle, watchful gaze.
This painting is one of several unfinished portraits Gainsborough produced of his children over the years. The lack of complete detail in certain areas, particularly in the lower portions of the dresses, provides insight into the artist's working method. He prioritised the capture of character and mood over the meticulous rendering of fabric or setting. The palette remains restrained, relying on earthy tones and muted highlights to draw attention to the subjects.
As a piece of British portraiture, this work demonstrates the shift toward a more naturalistic and intimate style. It avoids the stiff poses often required by wealthy patrons, allowing Gainsborough to experiment with light and shadow in a domestic context. The painting remains a primary example of his ability to imbue a simple scene with emotional resonance, focusing on the innocence of his subjects rather than their social status.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Painter's Daughters Chasing a Butterfly - Thomas Gainsborough
Artist Biography
Thomas Gainsborough
He was born in Sudbury, Suffolk, in 1727. His father went bankrupt in 1733. He moved to London as a teenager and trained under the French engraver Hubert-Francois Gravelot. By his thirties he was one of the two dominant portrait painters in Georgian England, the other being Joshua Reynolds. The rivalry with Reynolds defined both their careers.
The Blue Boy is probably his most famous painting, though he would have preferred to be remembered for his landscapes. On his deathbed he reconciled with Reynolds. Reynolds later wrote that the Royal Academy had lost one of its greatest ornaments. Gainsborough died in 1788, aged sixty-one.
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