The Morabito of Temacina - Oskar Kokoschka
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Beskrivning
A 1929 portrait by Austrian Expressionist Oskar Kokoschka, capturing a marabout in the Sahara with gestural brushwork and an earthy palette.
Painted in 1929, this portrait by Oskar Kokoschka depicts a marabout, a religious figure in North African tradition, encountered by the artist during his travels in the Sahara. Kokoschka, a central figure in Austrian Expressionism, moved away from the rigid academic portraiture of his time, preferring a psychological approach that prioritised the subject's internal state over photographic accuracy.
The composition is defined by a rapid, energetic application of paint. Kokoschka uses a palette of earthy ochres, whites, and greys, which mirror the arid environment of Temacina. The brushwork is loose and gestural, creating a sense of immediacy. The subject is draped in traditional robes, with the fabric rendered through thick, overlapping strokes that suggest movement and texture. The face is the focus, painted with a combination of dark, sombre tones and lighter highlights that define the contours of the features. The eyes hold a direct, steady gaze, reflecting the artist's interest in capturing the humanity of his subjects rather than mere external appearance.
Kokoschka's technique in this period often involved a layered approach, where he would build up the surface of the canvas to create a tactile quality. The background is suggested rather than detailed, allowing the figure to emerge from the space. This work demonstrates the artist's ability to synthesise his observations of a foreign culture with his own subjective emotional response. It is a study of presence and character, stripped of unnecessary ornamentation. The signature 'OK' in the upper left corner is characteristic of his later works, marking his personal stamp on the canvas. This piece remains a clear example of his mature style, where colour and form are used to convey the weight of a human encounter.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Morabito of Temacina - Oskar Kokoschka
Artist Biography
Oskar Kokoschka
He was born in 1886 in Pochlarn, Austria. He was shot through the head in Ukraine and bayoneted in the chest in Russia. He survived both.
After the war, he commissioned a Munich dollmaker named Hermine Moos to create a life-size replica of Alma, sending detailed instructions about the feel of her skin and the weight of her body. Moos covered the figure in feathers instead. Kokoschka eventually staged a public execution: he decapitated the doll and smashed a bottle of wine over its head on his lawn. The police arrived the next morning, thinking he had murdered a woman.
The Nazis declared him a degenerate artist. He fled Czechoslovakia for London after the Munich Agreement and became a British citizen in 1947. His Expressionist portraits are among the most psychologically penetrating of the twentieth century: raw, agitated surfaces that seem to expose the sitter's interior state. He lived to ninety-four.
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