A satirical 1831 lithograph by Eugène Hippolyte Forest and J.J. Grandville, critiquing the political compromises of the French July Monarchy.

This lithograph, titled 'Naissance du juste milieu', is a biting political satire published in the French journal 'La Caricature' in 1831. Created by Eugène Hippolyte Forest in collaboration with J.J. Grandville, the work critiques the political climate following the July Revolution of 1830. The term 'juste milieu' refers to the moderate political path adopted by the government of Louis-Philippe, which many contemporary critics viewed as a betrayal of the revolutionary ideals that brought him to power.

The composition depicts a chaotic birth scene. The personified figure of Liberty is shown in labour, giving birth to a monstrous infant representing the new political order. The scene is populated by recognisable figures of the era, including politicians and military officials who oversee the delivery with cynical detachment. The doctor, rubbing his hands in satisfaction, represents the opportunistic nature of the administration. A large Gallic rooster, a traditional symbol of France, stands in the foreground, interacting with a smaller figure who gestures mockingly.

Technically, the work demonstrates the expressive potential of 19th-century lithography. The artists utilise varied line weights and cross-hatching to create depth and texture, from the folds of the heavy curtains to the uniforms of the assembled men. The crowded, theatrical arrangement of figures serves to heighten the sense of absurdity and moral confusion. The text below the image provides a key to the caricatured figures, identifying specific ministers and political actors involved in the formation of the new regime. As a historical document, the print offers a direct look at the visual language of dissent in post-revolutionary France, where the press became a primary arena for challenging state authority through irony and grotesque imagery.