Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Tamonten, from the series The Seven Gods of Good Luck in Modern Life - Suzuki Harunobu
Ordinarie pris
£28.00 GBP
Reapris
£28.00 GBP
Ordinarie pris
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Beskrivning
A refined woodblock print by Suzuki Harunobu depicting the deity Tamonten in a contemporary Edo-period domestic setting.
This woodblock print by Suzuki Harunobu belongs to the series Tosei Shichi Fukujin, or The Seven Gods of Good Luck in Modern Life. Harunobu is credited with the development of nishiki-e, or brocade prints, which allowed for the use of multiple colours in a single composition. This work demonstrates his mastery of the medium through the delicate application of pigment and the refined line work characteristic of the mid-Edo period.
The scene depicts Tamonten, one of the Seven Lucky Gods, in a contemporary domestic setting. Rather than presenting the deity in a traditional, austere manner, Harunobu places him within a social interaction involving two women. One woman adjusts the garment of the deity, while the other sits nearby, observing the scene. The interior is defined by architectural elements such as sliding screens and a low table with a tea kettle, grounding the mythological figure in the everyday life of the eighteenth-century urban class.
Harunobu uses a muted palette to maintain a sense of harmony across the composition. The figures are rendered with the slender, graceful proportions that became a hallmark of his style. The inclusion of textile patterns, such as the crane motifs on the robe and the geometric designs on the floor cushions, adds visual texture to the print. The cloud-shaped cartouche at the top contains calligraphy, a common feature in ukiyo-e prints that integrates text with the visual narrative. This print offers a glimpse into the playful subversion of traditional iconography that defined much of Harunobu's output, where deities were frequently reimagined as fashionable figures in the pleasure quarters of Edo.
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Tillverkning
Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Komplettera looken
Tamonten, from the series The Seven Gods of Good Luck in Modern Life - Suzuki Harunobu
Ordinarie pris
Från £28.00 GBP
Reapris
Från £28.00 GBP
Ordinarie pris
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Suzuki Harunobu
Suzuki Harunobu did not start his career with the full palette of colours for which he is now known. His early work consisted of simple two-colour prints and mizu-e, or water pictures, which used coloured key blocks instead of black to create a pale appearance. His transition occurred in 1765 when he collaborated with private poetry clubs to produce egoyomi, which were pictorial calendars. These commissions allowed him to use the expensive pigments and heavy paper that defined nishiki-e, or brocade pictures.
Harunobu moved away from the stiff portraits of kabuki actors common in his era. He preferred to depict young women in their daily lives, often using an elevated viewpoint to look into private spaces. His series Zashiki hakkei, or Eight Parlour Views, provides a clear example of his method. He took classical Chinese themes and reimagined them as domestic scenes. A temple bell might become a chiming clock. A distant storm is represented by a woman drying herself after a bath.
Modern collectors value these prints for their quiet atmosphere and precise compositions. Harunobu avoided the aggressive energy of later ukiyo-e artists. He chose instead to focus on slender figures and soft colour harmonies. His work captures specific moments of leisure, such as playing cat's cradle or walking by the shore. These scenes offer a calm window into eighteenth-century Japan. They remain popular because they balance historical detail with a clean, graphic sensibility that suits contemporary interiors.
Harunobu moved away from the stiff portraits of kabuki actors common in his era. He preferred to depict young women in their daily lives, often using an elevated viewpoint to look into private spaces. His series Zashiki hakkei, or Eight Parlour Views, provides a clear example of his method. He took classical Chinese themes and reimagined them as domestic scenes. A temple bell might become a chiming clock. A distant storm is represented by a woman drying herself after a bath.
Modern collectors value these prints for their quiet atmosphere and precise compositions. Harunobu avoided the aggressive energy of later ukiyo-e artists. He chose instead to focus on slender figures and soft colour harmonies. His work captures specific moments of leisure, such as playing cat's cradle or walking by the shore. These scenes offer a calm window into eighteenth-century Japan. They remain popular because they balance historical detail with a clean, graphic sensibility that suits contemporary interiors.
Made to order
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Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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