A charcoal and chalk self-portrait by French artist Ferdinand Roybet, depicting the painter in his studio with his palette and brushes.

This self-portrait by Ferdinand Roybet captures the artist in his studio environment. Executed in charcoal and white chalk on toned paper, the work demonstrates the artist's technical command of light and shadow. Roybet presents himself with a direct gaze, his posture relaxed yet professional. He holds his palette and brushes, identifying his role as a painter. The background includes a suggestion of an easel, grounding the figure within his workspace.

Roybet was a French painter known for his interest in seventeenth-century Dutch and Spanish masters. His work often features historical subjects and figures dressed in period costume. This drawing reflects his training in the academic tradition, where draftsmanship and the study of form were paramount. The use of white chalk highlights the contours of his face and the folds of his jacket, creating a sense of volume against the mid-tone paper. The charcoal strokes are confident, showing the artist's ability to define character through minimal means.

Unlike his more formal, large-scale oil paintings, this sketch offers a glimpse into the artist's personal process. The composition is balanced, with the figure positioned slightly to the left, allowing the tools of his trade to occupy the lower right quadrant. The drawing avoids excessive detail, focusing instead on the structure of the face and the weight of the clothing. It is a study of the artist as a craftsman, reflecting the values of the late nineteenth-century French art scene. The work remains a clear example of the academic approach to portraiture, where the artist's identity is tied to the physical act of painting.