A sixteenth-century Italian woodcut depicting the biblical capture of Samson, based on a design by Titian.

This woodcut by Nicolò Boldrini depicts the biblical account of Samson being captured by the Philistines. The composition is based on a design by Titian, reflecting the collaborative nature of printmaking in sixteenth-century Venice. Boldrini, a skilled woodcutter, translates the painterly qualities of Titian's style into a series of bold, graphic lines.

The scene captures the moment of Samson's betrayal and arrest. The figures are arranged in a dynamic, theatrical manner, with Samson positioned centrally as he is subdued by his captors. Delilah is present, holding the shears used to cut his hair, which serves as the source of his strength. The background features a simplified architectural structure and a distant landscape, typical of the period's approach to framing narrative subjects.

Technically, the print demonstrates the capabilities of the woodcut medium during the Italian Renaissance. Boldrini employs varying line weights to suggest volume and shadow, particularly in the musculature of the figures and the folds of their garments. The cross-hatching techniques create a sense of depth, despite the inherent flatness of the woodblock printing process. This work provides an example of how high-art compositions were disseminated to a wider audience through the medium of the print. It remains a study in the translation of form from painting to graphic art, showing the technical precision required to maintain the energy of the original design while working within the constraints of the woodblock.