Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Sankt Rochus - Giovanni Battista Tiepolo
Ordinarie pris
£28.00 GBP
Reapris
£28.00 GBP
Ordinarie pris
Arkivbeständigt giclée-tryck
Ramar levereras klara att hängas upp
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Tillverkad på beställning
Beskrivning
Giovanni Battista Tiepolos "Den helige Rochus" skildrar helgonet i stilla kontemplation, svept i en gyllene mantel, ett slående exempel på 1700-talets rokoko-drama och vördnad, perfekt för att tillföra en touch av historia till ditt hem.
Giovanni Battista Tiepolos "Den helige Rochus" är ett fängslande exempel på italiensk rokokokonst från 1700-talet. Tiepolo, hyllad för sina fresker och altartavlor, ger en dramatisk men ändå känslig touch till denna skildring av den helige Rochus, pestens skyddshelgon. Målningen fångar helgonet i ett ögonblick av stilla kontemplation, sittande och delvis svept i en guldgul mantel som kontrasterar vackert mot den mörkare, dämpade bakgrunden. Hans blick är riktad nedåt, och han håller vad som ser ut att vara ett sår på låret, en hänvisning till de pestsår som förknippas med helgonet. Kompositionen är mästerligt belyst, med en stark ljuskälla som lyser upp den helige Rochus och kastar djupa skuggor som förstärker den känslomässiga intensiteten i scenen. Färgpaletten, dominerad av varma gula, bruna och krämiga toner, skapar en känsla av intimitet och vördnad. Tiepolos skicklighet i att återge texturer, från mantlarnas mjuka veck till de delikata hudtonerna, är tydlig genom hela verket. Som ett konsttryck ger "Den helige Rochus" en touch av barockdrama och andligt djup till vilken interiör som helst. Dess rika färger och dynamiska komposition gör den till en slående fokuspunkt för ett vardagsrum, arbetsrum eller hall, och tillför en känsla av historia och konstnärlig sofistikering till rummet.
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Tillverkning
Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
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Sankt Rochus - Giovanni Battista Tiepolo
Ordinarie pris
Från £28.00 GBP
Reapris
Från £28.00 GBP
Ordinarie pris
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Giovanni Battista Tiepolo
Tiepolo's father was a small shipping merchant who bore a famous Venetian patrician name without any claim to noble descent. The gap between the name and the reality may have sharpened the son's ambition. By mid-career he was the most sought-after ceiling painter in Europe, working for bishops, princes and kings across Italy, Germany and Spain.
He was born in Venice in 1696, the youngest of six children. His father died about a year later, leaving his mother to raise the family in difficult circumstances. At fourteen he was apprenticed to Gregorio Lazzarini, a painter of eclectic style. His early work was dark and heavy, but after his marriage to Maria Cecilia Guardi in 1719, his palette brightened and his touch became lighter and more fluid. The transformation was radical: the sombre young painter became the most luminous colourist of the eighteenth century.
His ceiling fresco at the Wurzburg Residence (1750 to 1753), painted for the Prince-Bishop, is the largest fresco in the world and the supreme achievement of Baroque illusionistic decoration. He travelled there with his sons Domenico and Lorenzo, who served as assistants throughout his career. Tiepolo and his wife had nine children in total; four daughters and three sons survived to adulthood.
In 1755 he was elected Director of the Accademia in Venice. In 1762 he moved with his sons to Madrid at the invitation of Charles III of Spain to decorate the Royal Palace. The Spanish court favoured the cooler Neoclassicism of Anton Raphael Mengs, and Tiepolo found himself outmanoeuvred. He died in Madrid in 1770, at seventy-four, his Rococo exuberance already passing out of fashion.
He was born in Venice in 1696, the youngest of six children. His father died about a year later, leaving his mother to raise the family in difficult circumstances. At fourteen he was apprenticed to Gregorio Lazzarini, a painter of eclectic style. His early work was dark and heavy, but after his marriage to Maria Cecilia Guardi in 1719, his palette brightened and his touch became lighter and more fluid. The transformation was radical: the sombre young painter became the most luminous colourist of the eighteenth century.
His ceiling fresco at the Wurzburg Residence (1750 to 1753), painted for the Prince-Bishop, is the largest fresco in the world and the supreme achievement of Baroque illusionistic decoration. He travelled there with his sons Domenico and Lorenzo, who served as assistants throughout his career. Tiepolo and his wife had nine children in total; four daughters and three sons survived to adulthood.
In 1755 he was elected Director of the Accademia in Venice. In 1762 he moved with his sons to Madrid at the invitation of Charles III of Spain to decorate the Royal Palace. The Spanish court favoured the cooler Neoclassicism of Anton Raphael Mengs, and Tiepolo found himself outmanoeuvred. He died in Madrid in 1770, at seventy-four, his Rococo exuberance already passing out of fashion.
Våra funktioner
Utformad för varaktig inverkan
Specifika funktioner
Varje Solis-konstverk tillverkas på beställning med arkivbeständiga material av gallerikvalitet som är byggda för att hålla.
- Giclée-tryck i museikvalitet för fylliga, blekningsbeständiga färger
- Arkivbeständigt matt konstpapper, FSC-certifierat
- Flera storlekar och inramningsalternativ tillgängliga
- Ramar i svart, naturträ, mörkt trä eller vitt
- Inramade tryck levereras klara att hänga upp
Skötsel & rengöring
För att bevara ditt konstverk i bästa skick:
- Damma försiktigt med en mjuk, torr trasa
- Undvik långvarigt direkt solljus
- Använd aldrig flytande rengöringsmedel på trycket eller dukytan
- Förvara på en torr plats i rumstemperatur
- Hantera tryck med rena, torra händer
Material och storlek
Gicléeutskrift av museikvalitet på FSC-certifierat matt arkivpapper, med inramade alternativ och alternativ på canvas.
- Pappersstorlekar: A4, A3, A2, A1, A0 och B2 (50×70 cm)
- Canvas: XS (20×30 cm) till Large (60×90 cm)
- Ramar: svart, naturligt trä, mörkt trä eller vit
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Premium Box Frame
From £85
A deeper solid wood frame: 33mm deep with a 20mm face and Perspex glaze. The print sits unmounted for a clean gallery presentation. Black, white or natural.
Canvas
From £30
Hand-stretched canvas with neat gallery-wrapped edges, giving the artwork surface texture and depth. Arrives ready to hang.
Framed Canvas
From £135
Stretched canvas set in a floating wood frame, our most substantial finish. Arrives ready to hang.
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Material av museikvalitet
Artistbiografi
Giovanni Battista Tiepolo
Tiepolo's father was a small shipping merchant who bore a famous Venetian patrician name without any claim to noble descent. The gap between the name and the reality may have sharpened the son's ambition. By mid-career he was the most sought-after ceiling painter in Europe, working for bishops, princes and kings across Italy, Germany and Spain.
He was born in Venice in 1696, the youngest of six children. His father died about a year later, leaving his mother to raise the family in difficult circumstances. At fourteen he was apprenticed to Gregorio Lazzarini, a painter of eclectic style. His early work was dark and heavy, but after his marriage to Maria Cecilia Guardi in 1719, his palette brightened and his touch became lighter and more fluid. The transformation was radical: the sombre young painter became the most luminous colourist of the eighteenth century.
His ceiling fresco at the Wurzburg Residence (1750 to 1753), painted for the Prince-Bishop, is the largest fresco in the world and the supreme achievement of Baroque illusionistic decoration. He travelled there with his sons Domenico and Lorenzo, who served as assistants throughout his career. Tiepolo and his wife had nine children in total; four daughters and three sons survived to adulthood.
In 1755 he was elected Director of the Accademia in Venice. In 1762 he moved with his sons to Madrid at the invitation of Charles III of Spain to decorate the Royal Palace. The Spanish court favoured the cooler Neoclassicism of Anton Raphael Mengs, and Tiepolo found himself outmanoeuvred. He died in Madrid in 1770, at seventy-four, his Rococo exuberance already passing out of fashion.
He was born in Venice in 1696, the youngest of six children. His father died about a year later, leaving his mother to raise the family in difficult circumstances. At fourteen he was apprenticed to Gregorio Lazzarini, a painter of eclectic style. His early work was dark and heavy, but after his marriage to Maria Cecilia Guardi in 1719, his palette brightened and his touch became lighter and more fluid. The transformation was radical: the sombre young painter became the most luminous colourist of the eighteenth century.
His ceiling fresco at the Wurzburg Residence (1750 to 1753), painted for the Prince-Bishop, is the largest fresco in the world and the supreme achievement of Baroque illusionistic decoration. He travelled there with his sons Domenico and Lorenzo, who served as assistants throughout his career. Tiepolo and his wife had nine children in total; four daughters and three sons survived to adulthood.
In 1755 he was elected Director of the Accademia in Venice. In 1762 he moved with his sons to Madrid at the invitation of Charles III of Spain to decorate the Royal Palace. The Spanish court favoured the cooler Neoclassicism of Anton Raphael Mengs, and Tiepolo found himself outmanoeuvred. He died in Madrid in 1770, at seventy-four, his Rococo exuberance already passing out of fashion.
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