Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Rinaldo and Armida - Nicolas Poussin
Ordinarie pris
£28.00 GBP
Reapris
£28.00 GBP
Ordinarie pris
Arkivbeständigt giclée-tryck
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Beskrivning
Nicolas Poussin depicts the dramatic moment from Tasso's epic where the sorceress Armida encounters the sleeping knight Rinaldo.
This work depicts a scene from Torquato Tasso's epic poem, Gerusalemme Liberata. Nicolas Poussin captures the moment the sorceress Armida discovers the sleeping Christian knight, Rinaldo. Initially intending to kill him, she finds herself overcome by love instead. A small Cupid figure stands beside her, restraining her hand as she prepares to strike, symbolising the intervention of passion over violence.
Poussin employs a clear, structured composition typical of his early Roman period. The figures are arranged in a frieze-like manner, set against a backdrop of trees and a muted sky. The contrast between the metallic sheen of Rinaldo's armour and the soft, flowing drapery of Armida's garments demonstrates the artist's attention to texture and light. The palette relies on primary colours, with the deep blue of Armida's dress and the golden tones of Rinaldo's tunic providing a visual balance to the composition.
The painting reflects the influence of Venetian masters, particularly Titian, in its handling of colour and the romanticised treatment of the subject matter. Poussin avoids excessive ornamentation, focusing instead on the psychological tension between the two protagonists. The stillness of the sleeping knight contrasts with the active, emotional state of the sorceress, creating a narrative pause that invites the viewer to consider the impending shift in the story. This piece remains a representative example of the artist's ability to synthesise classical themes with the dramatic sensibilities of the seventeenth century.
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Tillverkning
Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Komplettera looken
Rinaldo and Armida - Nicolas Poussin
Ordinarie pris
Från £28.00 GBP
Reapris
Från £28.00 GBP
Ordinarie pris
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Nicolas Poussin
Nicolas Poussin, a towering figure of French Classicism, wasn't always destined for artistic greatness. Born near Les Andelys, Normandy, in 1594, his early life was marked by struggle and self-directed study. He resisted his family's expectations, running away to Paris to pursue his passion, a bold move that reveals the fierce determination underpinning his serene and intellectual compositions. It was this unwavering commitment, coupled with a deep study of classical antiquity and Renaissance masters, that shaped his distinctive style.
Poussin's artistic vision was rooted in order, reason, and harmony. Unlike the dramatic flair of the Baroque, Poussin sought clarity and balance in his paintings. His meticulously planned compositions, populated with figures inspired by ancient sculpture, evoke a sense of timelessness and moral virtue. Key works like "The Death of Germanicus" and "The Rape of the Sabine Women" exemplify his dedication to historical and mythological subjects, rendered with a controlled palette and precise draughtsmanship.
Although he spent a significant portion of his career in Rome, Poussin's influence on French art was profound. He became a touchstone for generations of artists seeking to emulate his intellectual approach and classical ideals. His legacy extends beyond individual paintings; it encompasses a philosophy of art that values intellect, order, and the pursuit of ideal beauty. Poussin died in Rome in 1665, leaving behind a body of work that continues to inspire awe and intellectual engagement.
Poussin's artistic vision was rooted in order, reason, and harmony. Unlike the dramatic flair of the Baroque, Poussin sought clarity and balance in his paintings. His meticulously planned compositions, populated with figures inspired by ancient sculpture, evoke a sense of timelessness and moral virtue. Key works like "The Death of Germanicus" and "The Rape of the Sabine Women" exemplify his dedication to historical and mythological subjects, rendered with a controlled palette and precise draughtsmanship.
Although he spent a significant portion of his career in Rome, Poussin's influence on French art was profound. He became a touchstone for generations of artists seeking to emulate his intellectual approach and classical ideals. His legacy extends beyond individual paintings; it encompasses a philosophy of art that values intellect, order, and the pursuit of ideal beauty. Poussin died in Rome in 1665, leaving behind a body of work that continues to inspire awe and intellectual engagement.
Made to order
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Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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