A formal etching by Andreas Bernardus de Quertenmont depicting the Bishop of Antwerp, Jacob Thomas Jozef Wellens, within an ornate, heraldic frame.

This etching by Andreas Bernardus de Quertenmont depicts Jacob Thomas Jozef Wellens, who served as the Bishop of Antwerp during the late eighteenth century. The composition follows the conventions of formal ecclesiastical portraiture, presenting the subject within a trompe l'oeil oval frame. The artist employs precise line work to define the textures of the subject's clerical vestments and the soft modelling of his facial features.

The portrait is framed by an architectural setting, featuring a heavy curtain draped to the left and a stone ledge below. Beneath the oval frame, a coat of arms is displayed, flanked by laurel branches, which serves to identify the subject and his status. The Latin inscription at the base provides a formal dedication, a common practice in commemorative prints of this period.

De Quertenmont, a figure associated with the Antwerp Academy, demonstrates technical proficiency in the use of cross-hatching to create depth and shadow. The work captures the formal dignity expected of a high-ranking church official, while the inclusion of the heraldic elements adds a layer of symbolic authority. The print reflects the aesthetic values of the era, where portraiture functioned as a means of documenting public figures and their institutional roles. The clarity of the lines and the balanced arrangement of the elements demonstrate the artist's command of the etching medium, resulting in a clean, academic presentation that remains consistent with the visual culture of the Low Countries in the late 1700s.