Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Porträtt av Paul Gauguin - Eugène Carrière
Ordinarie pris
£28.00 GBP
Reapris
£28.00 GBP
Ordinarie pris
Arkivbeständigt giclée-tryck
Ramar levereras klara att hängas upp
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Tillverkad på beställning
Beskrivning
Ett monokromt porträtt av Paul Gauguin av Eugène Carrière, som fångar konstnärens karaktäristiska atmosfäriska stil och fokus på psykologiskt djup.
Detta porträtt av målaren Paul Gauguin är ett karakteristiskt exempel på Eugène Carrières verk. Carrière är känd för sin monokroma palett, ofta begränsad till nyanser av brunt, grått och svart. Denna teknik, som han kallade "le flou", skapar en känsla av atmosfäriskt djup och psykologisk distans. Motivet framträder ur en mörk, otydlig bakgrund, med ljus som bara fångar ansiktets väsentliga drag och kragen på hans skjorta.
Carrière och Gauguin var en del av samma parisiska konstnärskretsar under sent 1800-tal. Detta porträtt fångar Gauguin under en övergångsperiod, kort före hans första avresa till Tahiti. Konstnären undviker de skarpa linjer och tydliga konturer som är typiska för akademiskt porträttmåleri. Istället använder han mjukt, suddigt penselarbete för att antyda form. Detta tillvägagångssätt flyttar fokus från fysisk likhet till den sittandes inre tillstånd. Bristen på detaljer i kläderna och omgivningen tvingar betraktaren att koncentrera sig på motivets uttryck.
Genom att skala bort färgen betonar Carrière porträttets känslomässiga tyngd. Färgen appliceras i tunna, genomskinliga lager, vilket låter dukens struktur förbli synlig. Denna metod ger en disig, drömlik kvalitet som överensstämmer med symbolismen. Porträttet fungerar som en studie av personlighet snarare än enbart en registrering av utseende. Det speglar konstnärens intresse för mänsklig existenss immateriella aspekter. Verket förblir en stillsam, kontemplativ bit som undviker den teatralitet som ofta finns i dåtidens porträtt. Det är en studie i återhållsamhet, där frånvaron av färg blir ett medvetet stilistiskt val för att förmedla en känsla av mystik och introspektion.
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Tillverkning
Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
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Porträtt av Paul Gauguin - Eugène Carrière
Ordinarie pris
Från £28.00 GBP
Reapris
Från £28.00 GBP
Ordinarie pris
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Eugene Carriere
In 1898 Eugène Carrière opened an informal studio in Paris where he taught painting without charging fees. Among those who attended were Henri Matisse and André Derain. Carrière's own work bore little resemblance to what either of them would go on to produce, but his willingness to teach without prescription seems to have been the point.
Born in Gournay-sur-Marne in 1849, Carrière came from Flemish and Alsatian stock and trained first as a lithographer before entering Alexandre Cabanel's atelier at the École des Beaux-Arts. A visit to London in 1876 introduced him to Turner, whose atmospheric dissolution of form left a lasting impression. His early Salon paintings were unremarkable naturalism; by the late 1880s he had arrived at something altogether stranger.
The mature Carrière works are almost entirely monochromatic: figures emerging from brown-grey shadow, outlines dissolving before they resolve, light used not to illuminate but to suggest. He returned obsessively to maternal subjects, mothers and infants locked in physical closeness that reads as both tender and slightly suffocating. Paul Verlaine and Edmond de Goncourt sat for him; he painted his own family with the same concentrated attention.
During the Dreyfus Affair he signed Zola's petition and campaigned publicly for women's education. Auguste Rodin organised a tribute dinner in his honour in 1904. Two years later Carrière died of throat cancer, the surgery intended to treat it having left him partly paralysed. The Musée d'Orsay mounted a centenary retrospective in 2006 and published the catalogue raisonné.
Born in Gournay-sur-Marne in 1849, Carrière came from Flemish and Alsatian stock and trained first as a lithographer before entering Alexandre Cabanel's atelier at the École des Beaux-Arts. A visit to London in 1876 introduced him to Turner, whose atmospheric dissolution of form left a lasting impression. His early Salon paintings were unremarkable naturalism; by the late 1880s he had arrived at something altogether stranger.
The mature Carrière works are almost entirely monochromatic: figures emerging from brown-grey shadow, outlines dissolving before they resolve, light used not to illuminate but to suggest. He returned obsessively to maternal subjects, mothers and infants locked in physical closeness that reads as both tender and slightly suffocating. Paul Verlaine and Edmond de Goncourt sat for him; he painted his own family with the same concentrated attention.
During the Dreyfus Affair he signed Zola's petition and campaigned publicly for women's education. Auguste Rodin organised a tribute dinner in his honour in 1904. Two years later Carrière died of throat cancer, the surgery intended to treat it having left him partly paralysed. The Musée d'Orsay mounted a centenary retrospective in 2006 and published the catalogue raisonné.
Våra funktioner
Utformad för varaktig inverkan
Specifika funktioner
Varje Solis-konstverk tillverkas på beställning med arkivbeständiga material av gallerikvalitet som är byggda för att hålla.
- Giclée-tryck i museikvalitet för fylliga, blekningsbeständiga färger
- Arkivbeständigt matt konstpapper, FSC-certifierat
- Flera storlekar och inramningsalternativ tillgängliga
- Ramar i svart, naturträ, mörkt trä eller vitt
- Inramade tryck levereras klara att hänga upp
Skötsel & rengöring
För att bevara ditt konstverk i bästa skick:
- Damma försiktigt med en mjuk, torr trasa
- Undvik långvarigt direkt solljus
- Använd aldrig flytande rengöringsmedel på trycket eller dukytan
- Förvara på en torr plats i rumstemperatur
- Hantera tryck med rena, torra händer
Material och storlek
Gicléeutskrift av museikvalitet på FSC-certifierat matt arkivpapper, med inramade alternativ och alternativ på canvas.
- Pappersstorlekar: A4, A3, A2, A1, A0 och B2 (50×70 cm)
- Canvas: XS (20×30 cm) till Large (60×90 cm)
- Ramar: svart, naturligt trä, mörkt trä eller vit
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Material av museikvalitet
Artistbiografi
Eugène Carrière
In 1898 Eugène Carrière opened an informal studio in Paris where he taught painting without charging fees. Among those who attended were Henri Matisse and André Derain. Carrière's own work bore little resemblance to what either of them would go on to produce, but his willingness to teach without prescription seems to have been the point.
Born in Gournay-sur-Marne in 1849, Carrière came from Flemish and Alsatian stock and trained first as a lithographer before entering Alexandre Cabanel's atelier at the École des Beaux-Arts. A visit to London in 1876 introduced him to Turner, whose atmospheric dissolution of form left a lasting impression. His early Salon paintings were unremarkable naturalism; by the late 1880s he had arrived at something altogether stranger.
The mature Carrière works are almost entirely monochromatic: figures emerging from brown-grey shadow, outlines dissolving before they resolve, light used not to illuminate but to suggest. He returned obsessively to maternal subjects, mothers and infants locked in physical closeness that reads as both tender and slightly suffocating. Paul Verlaine and Edmond de Goncourt sat for him; he painted his own family with the same concentrated attention.
During the Dreyfus Affair he signed Zola's petition and campaigned publicly for women's education. Auguste Rodin organised a tribute dinner in his honour in 1904. Two years later Carrière died of throat cancer, the surgery intended to treat it having left him partly paralysed. The Musée d'Orsay mounted a centenary retrospective in 2006 and published the catalogue raisonné.
Born in Gournay-sur-Marne in 1849, Carrière came from Flemish and Alsatian stock and trained first as a lithographer before entering Alexandre Cabanel's atelier at the École des Beaux-Arts. A visit to London in 1876 introduced him to Turner, whose atmospheric dissolution of form left a lasting impression. His early Salon paintings were unremarkable naturalism; by the late 1880s he had arrived at something altogether stranger.
The mature Carrière works are almost entirely monochromatic: figures emerging from brown-grey shadow, outlines dissolving before they resolve, light used not to illuminate but to suggest. He returned obsessively to maternal subjects, mothers and infants locked in physical closeness that reads as both tender and slightly suffocating. Paul Verlaine and Edmond de Goncourt sat for him; he painted his own family with the same concentrated attention.
During the Dreyfus Affair he signed Zola's petition and campaigned publicly for women's education. Auguste Rodin organised a tribute dinner in his honour in 1904. Two years later Carrière died of throat cancer, the surgery intended to treat it having left him partly paralysed. The Musée d'Orsay mounted a centenary retrospective in 2006 and published the catalogue raisonné.
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