Portrait of Luther Burbank - Frida Kahlo
Arkivbeständigt giclée-tryck
Ramar levereras klara att hängas upp
Säker utcheckning
Tillverkad på beställning
Beskrivning
A surrealist portrait by Frida Kahlo depicting the botanist Luther Burbank as a hybrid figure rooted in the earth above a skeleton.
Painted in 1931, this work depicts the American botanist Luther Burbank. Kahlo presents him in a hybrid form, merging his physical body with the natural world he studied. The upper portion of the figure is rendered in a traditional portrait style, while the lower half transforms into the trunk of a tree. This tree is rooted in the earth, where a human skeleton lies buried, suggesting a cycle of life, death, and regeneration.
Kahlo uses a split-level composition to separate the terrestrial surface from the subterranean realm. The roots of the tree wrap around the skeletal remains, creating a visual connection between the living botanist and the deceased. The background features a barren, arid terrain under a turbulent sky, which contrasts with the organic growth of the central figure. The inclusion of fruit-bearing trees in the distance provides a sense of scale and context to Burbank's work in agricultural science.
This piece reflects Kahlo's interest in duality and the physical body. By placing the skeleton beneath the soil, she addresses the biological reality of decomposition as a source of nourishment for new growth. The painting is executed with precise brushwork, characteristic of her small-scale oil works on masonite. The palette consists of earthy browns, ochres, and muted greens, punctuated by the stark white of the skeleton and the grey tones of the sky. The work remains a clear example of her ability to synthesise personal observation with symbolic imagery, moving beyond simple portraiture to explore themes of mortality and the natural order.
Returpolicy
Eftersom varje tryck görs på beställning erbjuder vi inte returer, återbetalningar eller byten på grund av ändrade åsikter. Om din beställning kommer fram felaktig, skadad eller fel, ersätter vi den kostnadsfritt – kontakta oss bara inom 48 timmar efter leverans. Se vår återbetalningssida för fullständig information.
Frakt
Vi skickar till hela världen och trycker vid den produktionsanläggning som är närmast din leveransadress. Leveranstider och kostnader varierar beroende på destination – du ser tillgängliga alternativ i kassan.
Tillverkning
Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Portrait of Luther Burbank - Frida Kahlo
Artist Biography
Frida Kahlo
She had already been ill. Polio at six left her right leg thinner than her left, a disproportion she hid with long skirts. The bus accident compounded everything. She would have thirty-five operations over her lifetime. Pain was the background condition of her work, though reducing her paintings to autobiography misses what she actually did with the medium.
She married Diego Rivera in 1929. He was twenty years older, already Mexico's most famous muralist, and physically twice her size. Her parents called the marriage a union between an elephant and a dove. They divorced in 1939, remarried in 1940, and continued a relationship that was mutually unfaithful, politically intense, and artistically competitive. Rivera said she was the better painter. He may have been right.
Her paintings are small. Most are self-portraits. They use the visual language of Mexican folk art, ex-votos, and Aztec mythology, combined with a physical directness that makes Surrealism look polite. Andre Breton called her a Surrealist. She disagreed: 'I paint my own reality.' She was right about that too.
She died in 1954 at forty-seven. Her diary entry for the last day reads 'I hope the leaving is joyful and I hope never to return.'
Varför välja oss?
Leveransgaranti utan skador
Snabb leverans
Material av museikvalitet
Du kanske också gillar