A detailed 1781 engraving by Augustin de Saint-Aubin featuring a profile portrait of the composer Christoph Willibald Gluck, framed by a classical oak-leaf wreath.

This engraving by Augustin de Saint-Aubin depicts the composer Christoph Willibald Gluck in profile. Saint-Aubin, a member of a prominent family of French engravers, produced this work in 1781. The portrait is presented within a circular frame, which is adorned with an oak-leaf wreath, a common motif in the Neoclassical period. Below the portrait, a ribbon displays the name of the composer, while a rectangular tablet at the base bears the inscription: 'Il préféra les Muses aux Sirènes'.

The composition reflects the precision and technical control characteristic of eighteenth-century French printmaking. Saint-Aubin employs fine lines to capture the texture of the subject's wig and the folds of his cravat, while the background of the frame uses cross-hatching to create a sense of depth. The surrounding architectural elements, including the panelled border, provide a formal structure that directs the viewer's attention to the profile.

Christoph Willibald Gluck was a significant figure in the history of opera, known for his reforms that sought to simplify the musical structure and focus on dramatic integrity. The inscription, which translates to 'He preferred the Muses to the Sirens', suggests a dedication to artistic purity and intellectual pursuit over mere sensory pleasure. This print serves as a record of the composer's appearance during the latter part of his career. The work is a fine example of the portrait engraving tradition in France, where the combination of classical iconography and realistic likeness was highly valued by the cultural elite of the time. The print remains a clear representation of the aesthetic values prevalent in the late eighteenth century, demonstrating the skill of Saint-Aubin in balancing decorative detail with a clear, dignified presentation of his subject.