Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Plate Two: Satyr Carrying a Nymph on His Back and Led by a Youth - Jean-Honoré Fragonard
Ordinarie pris
£28.00 GBP
Reapris
£28.00 GBP
Ordinarie pris
Arkivbeständigt giclée-tryck
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Beskrivning
A delicate etching by Jean-Honoré Fragonard depicting a mythological scene of a satyr, a nymph, and a youth within a circular frame.
This etching by Jean-Honoré Fragonard depicts a classical mythological scene, rendered with the fluid, energetic line work characteristic of his graphic output. The composition centres on a satyr, identifiable by his goat-like legs, carrying a nymph upon his back. A youth leads the pair forward, creating a sense of movement within the circular frame. The figures are set against a background of foliage, executed with quick, hatched strokes that suggest the wild, untamed nature of the forest setting.
Fragonard, a master of the French Rococo, produced this work during a period when he explored themes of pastoral fantasy and classical antiquity. The etching demonstrates his ability to translate the spontaneity of his drawings into the print medium. The figures possess a lightness of touch, typical of his approach to mythological subjects, which often prioritised grace and narrative charm over rigid academic structure. The circular framing device, or tondo, draws the eye inward, focusing attention on the interaction between the three figures. The surrounding vegetation is treated with a looser, more gestural style, providing a contrast to the more defined anatomy of the central group.
This print is part of a series of etchings that reflect the artist's interest in the decorative potential of classical motifs. The work captures the light-hearted, often playful spirit of the mid-eighteenth-century French aesthetic. By employing varied line weights, Fragonard creates a sense of volume and texture, particularly in the rendering of the satyr's fur and the nymph's drapery. The work remains a clear example of the artist's technical facility with the etching needle, showcasing his preference for expressive, rather than purely descriptive, mark-making. It offers a glimpse into the private, imaginative world of an artist who excelled at capturing fleeting moments of mythological narrative.
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Tillverkning
Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Komplettera looken
Plate Two: Satyr Carrying a Nymph on His Back and Led by a Youth - Jean-Honoré Fragonard
Ordinarie pris
Från £28.00 GBP
Reapris
Från £28.00 GBP
Ordinarie pris
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Jean Honore Fragonard
The Swing was commissioned by a courtier who wanted himself depicted looking up his mistress's skirt as she swung above. A bishop pushes the swing in the background. The original commissioner first approached another painter, who refused the subject as undignified. Fragonard accepted.
He was born in Grasse, in Provence, in 1732. He trained under Boucher, the leading Rococo painter, won the Prix de Rome, and spent five years in Italy studying Tiepolo and the Baroque illusionists. He painted so-called figures de fantaisie, full portraits, in about an hour each. He was enormously prolific: over 550 paintings are attributed to him.
The Revolution destroyed his client base. The aristocracy who bought his paintings were dead, exiled, or ruined. Jacques-Louis David, the leading Revolutionary painter and stylistically his opposite, intervened on his behalf. David got Fragonard appointed to an administrative arts committee, which likely saved his life. This is remarkable: David was sending former aristocrats to the guillotine while protecting their favourite painter. Fragonard also helped organise what would become the Louvre's collection.
He lost his position under Napoleon and died in 1806. The story that he died eating an ice on a hot day is probably anecdotal but frequently repeated. His reputation collapsed after death and was not revived for fifty years.
He was born in Grasse, in Provence, in 1732. He trained under Boucher, the leading Rococo painter, won the Prix de Rome, and spent five years in Italy studying Tiepolo and the Baroque illusionists. He painted so-called figures de fantaisie, full portraits, in about an hour each. He was enormously prolific: over 550 paintings are attributed to him.
The Revolution destroyed his client base. The aristocracy who bought his paintings were dead, exiled, or ruined. Jacques-Louis David, the leading Revolutionary painter and stylistically his opposite, intervened on his behalf. David got Fragonard appointed to an administrative arts committee, which likely saved his life. This is remarkable: David was sending former aristocrats to the guillotine while protecting their favourite painter. Fragonard also helped organise what would become the Louvre's collection.
He lost his position under Napoleon and died in 1806. The story that he died eating an ice on a hot day is probably anecdotal but frequently repeated. His reputation collapsed after death and was not revived for fifty years.
Made to order
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Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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