Fine Art Poster
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Pilatus tvår sina händer - Mattia Preti
Ordinarie pris
£37.00 GBP
Reapris
£37.00 GBP
Ordinarie pris
Arkivbeständigt giclée-tryck
Ramar levereras klara att hängas upp
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Tillverkad på beställning
Beskrivning
Mattia Pretins ”Pilatus tvättar sina händer” är ett dramatiskt barockmästerverk som skildrar en avgörande biblisk scen. Detta konsttryck ger historiskt djup och klassisk storslagenhet till varje rum.
Mattia Pretins dramatiska ”Pilatus tvättar sina händer” fångar ett avgörande ögonblick från Nya testamentet. Barockmästaren, känd för sin tenebrism och dynamiska kompositioner, skildrar Pontius Pilatus, den romerske landshövdingen, som symboliskt renar sig från ansvaret för Jesu Kristi öde. Scenen är återgiven med en teatralisk känsla, typisk för barocken, med starka kontraster mellan ljus och skugga som förstärker den känslomässiga intensiteten. Pilatus, klädd i rika kläder, betjänas av tjänare, varav en häller vatten över hans händer. I bakgrunden syns folkmassan och Kristus som förs bort, vilket understryker allvaret i beslutet som fattas. Målningens komposition drar betraktarens blick till Pilatus ansikte och fångar hans kluvna uttryck. Som ett konsttryck ger detta verk en känsla av historiskt djup och dramatik till varje rum. Dess rika färger och dynamiska komposition gör det till en slående fokuspunkt, idealiskt för att lägga till en touch av klassisk storslagenhet i ett vardagsrum, arbetsrum eller hall. Målningens teman om rättvisa, moral och makt fortsätter att resonera, vilket gör den till ett tankeväckande tillskott i varje samling.
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Frakt
Vi skickar till hela världen och trycker vid den produktionsanläggning som är närmast din leveransadress. Leveranstider och kostnader varierar beroende på destination – du ser tillgängliga alternativ i kassan.
Tillverkning
Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Komplettera looken
Pilatus tvår sina händer - Mattia Preti
Ordinarie pris
Från £30.00 GBP
Reapris
Från £30.00 GBP
Ordinarie pris
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Mattia Preti
Preti painted frescoes on the gates of Naples during the 1656 plague. The city was dying around him; he painted anyway. The works have not survived, but they cemented his reputation as a painter who could work under any conditions. He was known as "Il Cavalier Calabrese" after being appointed a Knight of the Order of Saint John in 1660.
He was born in Taverna, Calabria, in 1613 and moved to Rome in 1630 to join his elder brother Gregorio, already a painter there. His style combined Caravaggio's drama with the colour of Guido Reni and the theatricality of Rubens. In 1661 he moved to Malta, where he spent his most productive decades painting the vast ceiling cycle of the life of Saint John the Baptist in Valletta's Co-Cathedral (1661 to 1666). The scale of the Maltese work, covering the entire barrel vault, is among the largest fresco programmes of the seventeenth century. He is buried in the Co-Cathedral alongside fellow Knights.
His colour sensibility, drawn from Reni and filtered through Roman experience, gives even his most dramatically lit compositions a warmth that separates him from the colder tenebrism of other Caravaggisti. He died in 1699, at eighty-six, having worked across Italy and Malta for nearly seven decades.
He was born in Taverna, Calabria, in 1613 and moved to Rome in 1630 to join his elder brother Gregorio, already a painter there. His style combined Caravaggio's drama with the colour of Guido Reni and the theatricality of Rubens. In 1661 he moved to Malta, where he spent his most productive decades painting the vast ceiling cycle of the life of Saint John the Baptist in Valletta's Co-Cathedral (1661 to 1666). The scale of the Maltese work, covering the entire barrel vault, is among the largest fresco programmes of the seventeenth century. He is buried in the Co-Cathedral alongside fellow Knights.
His colour sensibility, drawn from Reni and filtered through Roman experience, gives even his most dramatically lit compositions a warmth that separates him from the colder tenebrism of other Caravaggisti. He died in 1699, at eighty-six, having worked across Italy and Malta for nearly seven decades.
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Premium Box Frame
From £95
A deeper solid wood frame: 33mm deep with a 20mm face and Perspex glaze. The print sits unmounted for a clean gallery presentation. Black, white or natural.
Canvas
From £30
Hand-stretched canvas with neat gallery-wrapped edges, giving the artwork surface texture and depth. Arrives ready to hang.
Framed Canvas
From £135
Stretched canvas set in a floating wood frame, our most substantial finish. Arrives ready to hang.
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