Nude with Calla Lilies - Diego Rivera
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Beskrivning
A 1944 work by Diego Rivera depicting a woman kneeling before a large basket of calla lilies, rendered with sculptural form and earthy tones.
Diego Rivera produced this work in 1944, a period during which he frequently returned to the motif of the calla lily. The painting depicts a woman kneeling with her back to the viewer, her arms outstretched to embrace a large basket overflowing with white flowers. The composition relies on a clear, central symmetry, with the figure of the woman acting as a vertical anchor against the mass of organic forms behind her.
Rivera employs a warm, earthy palette for the figure, contrasting with the stark, creamy whites of the lilies and the deep, shadowed tones of the background. The texture of the woven basket and the mat upon which the figure kneels provides a tactile quality to the lower portion of the frame. This attention to material detail is characteristic of his approach to depicting everyday objects and traditional Mexican life. The calla lily, often associated with purity and death in various cultural contexts, is here rendered with a sculptural weight that dominates the visual space.
By placing the figure in a kneeling position, Rivera creates a sense of intimacy and quietude. The painting avoids complex narrative elements, focusing instead on the physical relationship between the human form and the botanical subject. The smooth, rounded contours of the woman's back mirror the soft, trumpet-like shapes of the lilies, creating a visual harmony between the two primary elements. This work reflects the artist's interest in indigenous themes and the aesthetic traditions of Mexico, presented through a modern, structured lens. The print captures the subtle gradations of light across the figure's skin and the delicate variations in the white petals, maintaining the integrity of the original oil on masonite surface.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Nude with Calla Lilies - Diego Rivera
Artist Biography
Diego Rivera
He studied at the Academy of San Carlos in Mexico City and spent fourteen years in Europe (1907-1921), absorbing Cubism in Paris and working alongside Picasso, Modigliani, and Mondrian. He returned to Mexico and found his subject: the history, labour, and people of his country, painted in a style that combined Renaissance fresco technique with pre-Columbian imagery and Marxist ideology.
The Detroit Industry Murals at the Detroit Institute of Arts (1932-33) are twenty-seven panels depicting the Ford Motor Company's River Rouge plant. The workers are heroic. The machinery is beautiful. Henry Ford's son Edsel commissioned them. The business community wanted them destroyed. They survived.
He married Frida Kahlo in 1929. They divorced in 1939. They remarried in 1940. The relationship was mutually unfaithful, politically intense, and artistically productive for both of them. Rivera said Kahlo was the better painter. Whether he believed this or was performing generosity is an open question.
He accepted a commission from Nelson Rockefeller for a mural in Rockefeller Center in 1933 and included a portrait of Lenin. Rockefeller asked him to remove it. Rivera refused. The mural was destroyed. Rivera repainted it in Mexico City. He died in 1957, at seventy.
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