A dramatic oil study by John Singleton Copley depicting the tense historical meeting between the Duke of Monmouth and King James II.

This oil sketch by John Singleton Copley depicts the historical encounter between James Scott, 1st Duke of Monmouth, and his uncle, King James II, following the failure of the Monmouth Rebellion in 1685. Copley, an American painter who relocated to London, focused his later career on large-scale history paintings intended for the Royal Academy. This work serves as a preparatory study for a larger composition, capturing the dramatic tension of the scene through fluid brushwork and a theatrical arrangement of figures.

The composition is divided into two distinct groups. On the left, the captured Monmouth is presented by his guards, his posture conveying a mixture of defiance and desperation. On the right, King James II sits enthroned, surrounded by his court, his gesture suggesting a cold dismissal of his nephew's plea for mercy. The architectural setting, featuring classical columns and heavy drapery, provides a stage-like environment that heightens the narrative intensity. Copley uses a warm, earthy palette to define the figures and the interior space, relying on light to direct the viewer's attention toward the central confrontation.

As a study, the painting reveals Copley's process in constructing complex historical narratives. The loose application of paint and the visible underdrawing demonstrate his focus on gesture and spatial relationships before finalising the details for a finished canvas. The work reflects the artist's interest in British political history, a common subject for painters seeking to establish their reputation within the London art world of the late eighteenth century. The scene remains a compelling example of Copley's ability to translate historical accounts into visual drama, balancing the requirements of formal portraiture with the demands of narrative storytelling.