Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Tsuneyoshis älskarinna med liten hund - Suzuki Harunobu
Ordinarie pris
£28.00 GBP
Reapris
£28.00 GBP
Ordinarie pris
Arkivbeständigt giclée-tryck
Ramar levereras klara att hängas upp
Säker utcheckning
Tillverkad på beställning
Beskrivning
Ett förfinat Ukiyo-e träsnitt av Suzuki Harunobu, som föreställer en kvinna och hennes hund i en lugn, hemtrevlig miljö med utsikt över vattnet.
Detta träsnitt av Suzuki Harunobu föreställer en kvinna, identifierad som älskarinna till den femte Tokugawa Shogunen, stående i en hemmiljö. Hon är placerad nära en shoji-skärm, justerar sitt hår medan en liten hund sitter uppmärksamt vid hennes fötter. Genom den öppna arkitekturen syns en utsikt över vattnet med en liten båt, vilket ger en känsla av rumsligt djup som kontrasterar mot den platta, dekorativa behandlingen av interiören.
Harunobu tillskrivs utvecklingen av nishiki-e, eller brokattryck, som möjliggjorde användningen av flera färger i en enda komposition. Detta verk visar det karakteristiska känsliga linjearbetet och den mjuka färgpaletten som förknippas med hans produktion. Figuren är återgiven med de smala, eteriska proportioner som är typiska för hans stil under mitten av 1700-talet. Kompositionen balanserar stillheten i inomhusscenen med den tysta aktiviteten på vattnet, en vanlig trop i Ukiyo-e-tryck som ställer privatlivet mot den större världen.
Trycket visar den tekniska precisionen i Edo-periodens tryckprocess. Den subtila appliceringen av färg, särskilt de dämpade tonerna i kimonon och de arkitektoniska elementen, skapar en harmonisk visuell upplevelse. Inkluderingen av hunden tillför en touch av inhemsk intimitet, och förankrar figuren i en specifik, igenkännbar miljö. Harunobus förmåga att fånga ett flyktigt ögonblick av lugn kontemplation förblir ett kännetecken för hans verk. Detta tryck fungerar som ett exempel på den förfinade estetik som definierade de senare åren av hans karriär, och rörde sig bort från de mer robusta figurerna hos tidigare Ukiyo-e-konstnärer mot en mer graciös, stiliserad representation av den mänskliga formen.
Returpolicy
Eftersom varje tryck görs på beställning erbjuder vi inte returer, återbetalningar eller byten på grund av ändrade åsikter. Om din beställning kommer fram felaktig, skadad eller fel, ersätter vi den kostnadsfritt – kontakta oss bara inom 48 timmar efter leverans. Se vår återbetalningssida för fullständig information.
Frakt
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Tillverkning
Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
Komplettera looken
Tsuneyoshis älskarinna med liten hund - Suzuki Harunobu
Ordinarie pris
Från £28.00 GBP
Reapris
Från £28.00 GBP
Ordinarie pris
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Suzuki Harunobu
Suzuki Harunobu did not start his career with the full palette of colours for which he is now known. His early work consisted of simple two-colour prints and mizu-e, or water pictures, which used coloured key blocks instead of black to create a pale appearance. His transition occurred in 1765 when he collaborated with private poetry clubs to produce egoyomi, which were pictorial calendars. These commissions allowed him to use the expensive pigments and heavy paper that defined nishiki-e, or brocade pictures.
Harunobu moved away from the stiff portraits of kabuki actors common in his era. He preferred to depict young women in their daily lives, often using an elevated viewpoint to look into private spaces. His series Zashiki hakkei, or Eight Parlour Views, provides a clear example of his method. He took classical Chinese themes and reimagined them as domestic scenes. A temple bell might become a chiming clock. A distant storm is represented by a woman drying herself after a bath.
Modern collectors value these prints for their quiet atmosphere and precise compositions. Harunobu avoided the aggressive energy of later ukiyo-e artists. He chose instead to focus on slender figures and soft colour harmonies. His work captures specific moments of leisure, such as playing cat's cradle or walking by the shore. These scenes offer a calm window into eighteenth-century Japan. They remain popular because they balance historical detail with a clean, graphic sensibility that suits contemporary interiors.
Harunobu moved away from the stiff portraits of kabuki actors common in his era. He preferred to depict young women in their daily lives, often using an elevated viewpoint to look into private spaces. His series Zashiki hakkei, or Eight Parlour Views, provides a clear example of his method. He took classical Chinese themes and reimagined them as domestic scenes. A temple bell might become a chiming clock. A distant storm is represented by a woman drying herself after a bath.
Modern collectors value these prints for their quiet atmosphere and precise compositions. Harunobu avoided the aggressive energy of later ukiyo-e artists. He chose instead to focus on slender figures and soft colour harmonies. His work captures specific moments of leisure, such as playing cat's cradle or walking by the shore. These scenes offer a calm window into eighteenth-century Japan. They remain popular because they balance historical detail with a clean, graphic sensibility that suits contemporary interiors.
Våra funktioner
Utformad för varaktig inverkan
Specifika funktioner
Varje Solis-konstverk tillverkas på beställning med arkivbeständiga material av gallerikvalitet som är byggda för att hålla.
- Giclée-tryck i museikvalitet för fylliga, blekningsbeständiga färger
- Arkivbeständigt matt konstpapper, FSC-certifierat
- Flera storlekar och inramningsalternativ tillgängliga
- Ramar i svart, naturträ, mörkt trä eller vitt
- Inramade tryck levereras klara att hänga upp
Skötsel & rengöring
För att bevara ditt konstverk i bästa skick:
- Damma försiktigt med en mjuk, torr trasa
- Undvik långvarigt direkt solljus
- Använd aldrig flytande rengöringsmedel på trycket eller dukytan
- Förvara på en torr plats i rumstemperatur
- Hantera tryck med rena, torra händer
Material och storlek
Gicléeutskrift av museikvalitet på FSC-certifierat matt arkivpapper, med inramade alternativ och alternativ på canvas.
- Pappersstorlekar: A4, A3, A2, A1, A0 och B2 (50×70 cm)
- Canvas: XS (20×30 cm) till Large (60×90 cm)
- Ramar: svart, naturligt trä, mörkt trä eller vit
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Material av museikvalitet
Artistbiografi
Suzuki Harunobu
Suzuki Harunobu did not start his career with the full palette of colours for which he is now known. His early work consisted of simple two-colour prints and mizu-e, or water pictures, which used coloured key blocks instead of black to create a pale appearance. His transition occurred in 1765 when he collaborated with private poetry clubs to produce egoyomi, which were pictorial calendars. These commissions allowed him to use the expensive pigments and heavy paper that defined nishiki-e, or brocade pictures.
Harunobu moved away from the stiff portraits of kabuki actors common in his era. He preferred to depict young women in their daily lives, often using an elevated viewpoint to look into private spaces. His series Zashiki hakkei, or Eight Parlour Views, provides a clear example of his method. He took classical Chinese themes and reimagined them as domestic scenes. A temple bell might become a chiming clock. A distant storm is represented by a woman drying herself after a bath.
Modern collectors value these prints for their quiet atmosphere and precise compositions. Harunobu avoided the aggressive energy of later ukiyo-e artists. He chose instead to focus on slender figures and soft colour harmonies. His work captures specific moments of leisure, such as playing cat's cradle or walking by the shore. These scenes offer a calm window into eighteenth-century Japan. They remain popular because they balance historical detail with a clean, graphic sensibility that suits contemporary interiors.
Harunobu moved away from the stiff portraits of kabuki actors common in his era. He preferred to depict young women in their daily lives, often using an elevated viewpoint to look into private spaces. His series Zashiki hakkei, or Eight Parlour Views, provides a clear example of his method. He took classical Chinese themes and reimagined them as domestic scenes. A temple bell might become a chiming clock. A distant storm is represented by a woman drying herself after a bath.
Modern collectors value these prints for their quiet atmosphere and precise compositions. Harunobu avoided the aggressive energy of later ukiyo-e artists. He chose instead to focus on slender figures and soft colour harmonies. His work captures specific moments of leisure, such as playing cat's cradle or walking by the shore. These scenes offer a calm window into eighteenth-century Japan. They remain popular because they balance historical detail with a clean, graphic sensibility that suits contemporary interiors.
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